Physie: Photographs by Lyndal Irons

This latest exhibition by Lyndal Irons offers a unique glimpse into the intriguing and dramatic world of Physical Culture through a striking series of images. Physie, Australia's oldest fitness craze centre stage at NSW State Library

© Lyndal Irons.
© Lyndal Irons.

Thousands of women do it but Physical Culture remains a sport difficult to define. It is a bit like a military drill. A bit like dance. A bit like gymnastics. A bit like synchronised swimming without water. And it’s been around for 120 years.
“I wanted to shed light on the little-known world of Physie. I’d been to classes when I was young but couldn’t recall much about it apart from the marching,” says Sydney-based photographer Lyndal Irons, who has recently won the 2015 Pool Grant. “I found a world populated by thousands of Australian girls and women from all walks of life," she says. "It was very maternal, almost like a tribal extended family with many girls participating alongside their mothers, aunts and grandmothers.”

The ‘physie movement’ dates back to 1892 when Denmark-born Hans Christian Bjelke-Petersen started the Bjelke-Petersen School of Physical Culture (BJP), a medical gymnasium in Tasmania to promote health, fitness and posture for both sexes. In 1923 the company moved to Sydney and women’s Physical Culture classes sprung up in business houses like David Jones.

The exhibitition will also include vintage image by Sam Hood. His images from the 1930s capture teams of women in action with stomachs pulled in and heads held high. Physie competitions began in the late 1920s and junior classes kicked off in the early 1940s.

lyndalirons.com.au

  • Organised by: State Library of NSW

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May

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

June

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Brisbane: until 18 October 2026. Known affectionately as the ‘Cool Cat of journalism’ Wayne moved effortlessly among the greats, between the media and community, treating every encounter as part of his day’s work behind the lens.

August

Melbourne: Until 15 November 2026. This exhibition will present the most comprehensive survey of the work of the eminent Hungarian-born, French photographer Brassaï yet to be seen in Australia.

Sydney: 24 August 2026 – 18 July 2027. Featuring almost 200 images and original prints personally selected by Dupain for magazine and book publishers, the exhibition reveals the extraordinary breadth of his work.

September

Melbourne: Until 19 February 2027. Spanning 55 years from 1971, Chapman’s visual journey began aboard the ‘Green Bus’ from Elsternwick to Melbourne’s city centre – chronicling the evolution of Australian life along the way.

Melbourne: Multiple exhibitions including – Bowness Photography Prize 2026 + Sarah Rhodes | The Inner Sky. Both until 8 November 2026.

October

Perth: Until 31 January 2027. The Art Gallery of Western Australia (AGWA) presents No night is long enough for us to dream twice, a major exhibition of contemporary photography and video, bringing together more than 100 works by seven living artists and one artist duo from across South West Asia, North Africa and its many diasporas.

Sydney: Until 17 October 2026. Roslyn Oxley9 Gallery.

Sydney: 10 October – 14 November 2026. Metropolis: Street Photography 1985–2025 displays over four decades of life within the modern human environment. The work transitions from the tough, film-noir streets of 1980’s New York to the time surrounding the fall of the Berlin Wall – to the modern colour saturated, hard-shadowed geometry of contemporary Australian streets.