Indochine by Samantha Everton

Acclaimed photographer, Samantha Everton presents Indochine – a dynamic new exhibition series which explores the intersection of Western influences and Eastern traditions. Indochine depicts a woman navigating the conflicting cultural pressures of the East and the West. Exuding visual luxury and vivid sensuality, the artworks plunge the viewer into a colour-saturated dreamscape. The series explores the encroachment of Western fashion within Asian cultures and the struggle for authenticity amidst contemporary influences.

© Samantha Everton. "Chinoiserie", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Chinoiserie", Pigment ink on cotton rag, 2018.

Behind the amplified colouration and ornamental intricacies are symbolic elements that offer clues to the underlying stories. Everton's talent is to reveal what lies hidden, and in the portraits can be found fragility and adaptability, vulnerability and resilience, compliance and resolute self-expression. The women captured are torn between the cultural values and expectations of their times and a deep interior struggling towards individuality.

Informed by the artist’s multi-cultural upbringing, with three adopted Asian siblings, Indochine explores identity and how Western influences have intersected with Eastern traditions and values. It also touches on the methods available to women to express a changing cultural identity by altering their appearance. While such shifts are sometimes presumed to be a relatively new phenomenon, the artworks explore how this blending of Eastern and Western cultures has been happening perceptibly for centuries.

© Samantha Everton. "Femme Fatale", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Femme Fatale", Pigment ink on cotton rag, 2018.

About Samantha Everton

Born in Whyalla, South Australia, and raised in central Queensland Samantha Everton credits her unusual childhood as instrumental in fostering a creative mind. Growing up with a biological brother and three adopted Asian siblings, Everton spent hours fossicking for gemstones under the wide blue skies of remote mining towns. Hers was a colour-saturated world. Although not directly referencing her own family experience, multicultural themes and notions of identity continue to influence much of her imagery.

© Samantha Everton. "Giong Chim", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Giong Chim", Pigment ink on cotton rag, 2018.

Everton graduated with a Photographic Design Degree, RMIT 2003 and subsequently achieved success in a great number of prestigious awards including Px3 Paris International Photography Awards (2010, 2014), Moran Contemporary Art Prize (Highly Commended 2009), London International Creative Competition (2010), the Photography Master Cup International Colour Awards (2013) and the Head On Photo Awards (2015).

Everton has exhibited widely, with more than twenty solo exhibitions to her name, across Australia and internationally.

© Samantha Everton. "Dulcinea", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Dulcinea", Pigment ink on cotton rag, 2018.

Upcoming Events Submit an Event

February

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.

June

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Melbourne: 6 June – 28 June 2-26. We Built a House Out of Water is a deeply personal body of work that draws on memory, family, and culture – while understanding healing as an ongoing process.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.