The Basement: photography from Prahran College (1968–1981)

Image: Philip QUIRK Suzanne Budds 1973
Image: Philip QUIRK Suzanne Budds 1973

In May 1968 the newly formed photography department of Prahran Technical School (known as Prahran College of Advanced Education (PCAE) from 1973) moved into the basement of a freshly completed art and design building on the corner of High Street and Thomas Street in Melbourne’s inner southeastern suburb of Prahran. Here, for the first time in Australia, photography was taught as an artform.

Featuring the work of approximately 60 artists, The basement brings to light rare vintage prints from the 1960s through to the early 1980s, key archival ephemera and folio work – from students and teachers of the College’s Diploma of Art & Design (Photography). It was a period where new discussions developed quickly around the possibilities of what photography could be. These students and teachers were part of a progressive, edgy wave of image-makers excited about the medium’s potential.

Under the vanguard of influential photographers such as John Cato, Paul Cox and Athol Shmith, the school became a breeding ground for some of this country’s most important art photographers: Carol Jerrems, Bill Henson, Nanette Carter, Rod McNicol, Polly Borland, Peter Milne, Robert Ashton, Philip Quirk, Peter Leiss, Jacqueline Mitelman, Mimmo Cozzolino, Graham Howe and Julie Millowick, among many others.

The exhibition’s accompanying publication elucidates the experience from several perspectives. As we hear from the curators, students, colleagues and academics, it’s clear that this course, in this time, was of great consequence to our photographic ecosystem and its development.

Curated by Angela Connor, MAPh Senior Curator, and Stella Loftus-Hills, MAPh Curator, The basement gathers works from close to 60 artists, traversing over 13 years of image-making and adjacent subcultures in music, protest, fashion and art criticism. This landmark exhibition will deliver new research into the canon of Australia’s cultural history through its assembled works and attendant publication.

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March

Perth: 15 Feb - 3 May 2025. de-centre re-centre highlights the strength and diversity of contemporary photography in Australia. The exhibition explores place and belonging in First Nations, diasporic and queer communities.

Melbourne: 28 March – 4 May 2025. Horan’s work thrives on contrast: the ordinary and extraordinary, rigid and fluid, playful and refined. Using materials like plastic, chrome, glass, and foodstuffs, she elevates the overlooked through precise composition and unexpected juxtapositions.

April

Canberra: 27 Feb until 20 July 2025. The National Library has invited renowned Australian photojournalist Mike Bowers to select some of his favourite images from the Fairfax Photo Archive.

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Perth: Until 18 May 2025. Henry Roy – Impossible Island draws on 40-years of recollections and observations as it brings together 113 photos taken from 1983 to 2023.

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

Sydney: Until 15 May. Scott Perkins new series of expertly crafted landscape photographs and light boxes are located within photography and sculpture disciplines.

May

Melbourne: Opening 4 May 2-4pm. Then open until 25 May. An exhibition of the mature and recent work of photographer / artists who trained at the ground-breaking Prahran CAE, Melbourne in the 1970s and 80s.

Sydney: 15 May – 19 October. Showcasing 100 incredible images, this remarkable exhibition offers a window into the astonishing variety of life on our planet – and the critical importance of preserving it.