Photography for Instagram with Peter Collie

Express your photographic voice and use proven techniques with your smartphone and selected apps. Instagram is an image-driven platform and part of its power and appeal is its simplicity. There are three main parts, the image, the text and the strategy.

This is a hands-on masterclass with an experienced commercial photographer and trainer that will cover the three key areas of an effective post. You will be using your smartphone to compose strong images with a special emphasis on lighting and an assortment of selected apps that allow perfect control of the final image. You will be shown proven lighting techniques and explore what makes a strong composition. Our subjects will range from people to still life and will be adjusted to suit the mix of the class.

© Peter Collie
© Peter Collie

From here we will discuss writing styles that work with social media posts to engage interest or for a call to action.

Throughout the session, we will discuss your strategy and how it will affect the style of image and writing you create. Although Instagram is a very visual medium, there are ways you can engage people with your words. The strategy isn’t just how often and when you post, but starts with what you hope to achieve.

Even if you are not into social media, the smartphone camera is the camera that is always with you, so this is an opportunity to learn how to get the most from it.

What you get:

  • practice with lighting techniques
  • recognising good light, how to find it, how to make it
  • discussion and exploration of composition
  • introduction to using powerful editing apps on your phone that can adjust specific areas and layer objects, images and type, all within your smartphone
  • introduction to add on lenses that extend the range of your phone camera
  • ideas for creating a conversation with your followers using words and images

What you need to bring:

  • your smartphone, charged and with space to take pictures
  • if there is something in particular you want to master photographing, bring that

Details

8 October 2017
12:30pm - $:30pm

Cost: $125

Booking – www.luxelearn.com/photography-for-instagram
Info – learn@luxeimage.com.au

 

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May

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

June

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Brisbane: until 18 October 2026. Known affectionately as the ‘Cool Cat of journalism’ Wayne moved effortlessly among the greats, between the media and community, treating every encounter as part of his day’s work behind the lens.

August

Melbourne: Until 15 November 2026. This exhibition will present the most comprehensive survey of the work of the eminent Hungarian-born, French photographer Brassaï yet to be seen in Australia.

Sydney: 24 August 2026 – 18 July 2027. Featuring almost 200 images and original prints personally selected by Dupain for magazine and book publishers, the exhibition reveals the extraordinary breadth of his work.

September

Melbourne: Until 19 February 2027. Spanning 55 years from 1971, Chapman’s visual journey began aboard the ‘Green Bus’ from Elsternwick to Melbourne’s city centre – chronicling the evolution of Australian life along the way.

Melbourne: Multiple exhibitions including – Bowness Photography Prize 2026 + Sarah Rhodes | The Inner Sky. Both until 8 November 2026.

October

Perth: Until 31 January 2027. The Art Gallery of Western Australia (AGWA) presents No night is long enough for us to dream twice, a major exhibition of contemporary photography and video, bringing together more than 100 works by seven living artists and one artist duo from across South West Asia, North Africa and its many diasporas.

Sydney: Until 17 October 2026. Roslyn Oxley9 Gallery.

Sydney: 10 October – 14 November 2026. Metropolis: Street Photography 1985–2025 displays over four decades of life within the modern human environment. The work transitions from the tough, film-noir streets of 1980’s New York to the time surrounding the fall of the Berlin Wall – to the modern colour saturated, hard-shadowed geometry of contemporary Australian streets.