Olympia by Polixeni Papapetrou

This exhibition comprises photographs by Australian photographer Polixeni Papapetrou (1960–2018) of her daughter Olympia, covering the period from Olympia’s birth (1997) until the artist’s death (2018). Throughout this time, Olympia played a particularly important role in the artist’s image making, assuming the complex roles of model and muse, collaborator, and champion. Following the birth of her daughter, Papapetrou’s work underwent a significant change. Her earlier work had focused on the carefully constructed and stage-managed worlds of people who lived, worked and played in disguise, including drag queens, wrestlers, and avid Elvis fans. However, after Olympia’s birth, Papapetrou began photographing her children, Olympia and Solomon, and later their friends. Rather than making Papapetrou’s world smaller, this apparently inward turn opened up a limitless world of play acting, imagination and storytelling.

Polixeni Papapetrou. The debutants 2009, from the Between Worlds series 2009. Inkjet print, 105.0 x 105.0 cm
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.
Polixeni Papapetrou. The debutants 2009, from the Between Worlds series 2009. Inkjet print, 105.0 x 105.0 cm.
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.

This exhibition surveys twenty years of Papapetrou’s practice and includes works from her best-known series, as well as lesser-known images. Olympia: Photographs by Polixeni Papapetrou was curated in collaboration with the artist’s family. It draws from the NGV Collection and the artist’s estate, and is the first major museum retrospective of Papapetrou’s work.

The NGV is publishing a monograph to coincide with the exhibition. It covers twenty years of Papapetrou’s practice and features contributions from Susan van Wyk, NGV Senior Curator of Photography; Robert Nelson, art critic and widower of Papapetrou; and Papapetrou’s children, Olympia and Solomon Nelson.

Polixeni Papapetrou. Blinded 2016, from the series, Eden 2016. 
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.
Polixeni Papapetrou. Blinded 2016, from the series, Eden 2016. Private collection.
© the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.