Haenyeo – the sea women of Jeju Island by Hyungsun Kim

South Korean photographer Hyungsun Kim’s latest exhibition, Haenyeo – the sea women of Jeju Island, is on display at the Australian National Maritime Museum until 13 June. It featurespowerful portraits that celebrate a community of women divers known as Haenyeo (sea women), who harvest the seas sustainably around Jeju Island, off the southern tip of South Korea.

© Hyungsun Kim. Suhjik Samdal, Hamo Jeju 2017.
© Hyungsun Kim. Suhjik Samdal, Hamo Jeju 2017.

These days, the Haenyeo are mostly aged over 60, with some in their 80s. For many generations, they have been freediving for conch, sea cucumber, urchins, abalone, and seaweed. The work is dangerous, and the women dive as deep as 20m, holding their breath for up to two minutes. Girls and young women train with their elders for years before they reach sanggun – senior status.

© Hyungsun Kim. Kim Julja Dodu, Jeju 2014.
© Hyungsun Kim. Kim Julja Dodu, Jeju 2014.

Kim shot the portraits in a makeshift-sheeted studio on the shoreline after the completion of a dive. “[The divers] are shown exactly as they are, tired and breathless. But, at the same time, they embody incredible mental and physical stamina, as the work itself is so dangerous; every day they cross the fine line between life and death. I wanted to capture this extreme duality of the women: their utmost strength combined with human fragility,” he says.

© Hyungsun Kim. Kang Boksoon, Jeju Juheungdong 2016.
© Hyungsun Kim. Kang Boksoon, Jeju Juheungdong 2016.

The exhibition has been produced by the Australian National Maritime Museum and the Korean Cultural Centre Australia, with assistance from the Jeju Special Self-Governing Province to commemorate the 60th anniversary of diplomatic relations between Australia and the Republic of Korea in 2021.

© Hyungsun Kim. Her Kyungsuk, Hamo Jeju, 2014. Image courtesy of the artist and the Korean Cultural Centre Australia.
© Hyungsun Kim. Her Kyungsuk, Hamo Jeju, 2014. Image courtesy of the artist and the Korean Cultural Centre Australia.

Upcoming Events Submit an Event

February

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.

June

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Melbourne: 6 June – 28 June 2-26. We Built a House Out of Water is a deeply personal body of work that draws on memory, family, and culture – while understanding healing as an ongoing process.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.