Under Twenty-Seven by Ella Dreyfus

Under Twenty-Seven is a solo exhibition by Australian artist Dr Ella Dreyfus that presents a series of poignant portraits which began as black and white photographs of her son and his soccer team when they were finishing primary school back in 2005. The work tracks their growth with a new portrait every seven years and Dreyfus’ detailed photographs show the boys/men bare-chested against a deep black background. Each of them displays their own unique posture and subtle facial expressions, giving the works an intensely intimate quality. Sitting side by side, the triple portraits taken at ages eleven, eighteen and twenty-five, are a meditation on masculine development, as well as a sobering reminder of the passing of time.

© Dr Ella Dreyfus, Under Twenty-Seven, SB, 2005, 2010, 2019, 460 x 460mm each, UltraChrome pigment on Canson.
© Dr Ella Dreyfus, Under Twenty-Seven, SB, 2005, 2010, 2019, 460 x 460mm each,
UltraChrome pigment on Canson.

The exhibition provides an opportunity for audiences to reflect on the representation of masculinity in contemporary culture, by showing them in a way that is distinct from the narrow ideals generally found in the mass-media and advertising. Through the work, Dreyfus demonstrates a particular sensitivity to the experiences of the young men, who during these critical stages of their lives will undoubtedly have been influenced by the social demands and perceptions of masculine attitudes, looks and behaviours. In this society, men are often expected to repress certain emotions such as tenderness and empathy; in drawing attention to these issues the exhibition takes a probing approach to gender, representation, beauty and the body.

There are 14 sets of portraits in the series. Ella Dreyfus has been photographing the body – young bodies, old bodies and all inbetween bodies – for over thirty years.

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August

Sydney: The exhibition brings together close to 100 of the artist’s most important works dating from the 1970s through to the present day.

Sydney: The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

September

Canberra: This collection-in-focus display highlights William Yang’s photography of Sydney Mardi Gras festivals between 1981 and 2003.

Melbourne: The William and Winifred Bowness Photography Prize 2024 features more than 70 images including digital and analogue photography, large-scale installations and daguerreotypes.

October

Melbourne: Come celebrate the thought-provoking work of 10 talented members of the Club's Conceptual Photography Group. Their collective exhibition, "Interesting Times," showcases a wide range of unique and diverse artistic perspectives through the medium of conceptual photography.

Brisbane: Mikaela spent time looking through Graham’s archive of negatives, though it was his social documentary images that she constantly returned to, especially as there were so many compelling photographs that had never been printed.

November

Sydney: Join Chrissie Hall for her 2nd book launch and exhibition

Brisbane: The Photo Fair #2 is a community event to sell, swap, and showcase photographic works. Whether you’re a photographer looking to sell or swap your images this fair is designed for you.