Under Twenty-Seven by Ella Dreyfus

Under Twenty-Seven is a solo exhibition by Australian artist Dr Ella Dreyfus that presents a series of poignant portraits which began as black and white photographs of her son and his soccer team when they were finishing primary school back in 2005. The work tracks their growth with a new portrait every seven years and Dreyfus’ detailed photographs show the boys/men bare-chested against a deep black background. Each of them displays their own unique posture and subtle facial expressions, giving the works an intensely intimate quality. Sitting side by side, the triple portraits taken at ages eleven, eighteen and twenty-five, are a meditation on masculine development, as well as a sobering reminder of the passing of time.

© Dr Ella Dreyfus, Under Twenty-Seven, SB, 2005, 2010, 2019, 460 x 460mm each, UltraChrome pigment on Canson.
© Dr Ella Dreyfus, Under Twenty-Seven, SB, 2005, 2010, 2019, 460 x 460mm each,
UltraChrome pigment on Canson.

The exhibition provides an opportunity for audiences to reflect on the representation of masculinity in contemporary culture, by showing them in a way that is distinct from the narrow ideals generally found in the mass-media and advertising. Through the work, Dreyfus demonstrates a particular sensitivity to the experiences of the young men, who during these critical stages of their lives will undoubtedly have been influenced by the social demands and perceptions of masculine attitudes, looks and behaviours. In this society, men are often expected to repress certain emotions such as tenderness and empathy; in drawing attention to these issues the exhibition takes a probing approach to gender, representation, beauty and the body.

There are 14 sets of portraits in the series. Ella Dreyfus has been photographing the body – young bodies, old bodies and all inbetween bodies – for over thirty years.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.