Sunscreen Celebrities by Rex Dupain

Over the last twenty years, photographer Rex Dupain has witnessed Bondi Beach’s popularity grow as a must-see tourist destination and location for reality television. It is a site where people, in all their diversity, are liberated from the pressures of work and social norms. Framed by the beach’s fine sands, Dupain’s portraits of families, lovers, icebergers, and life savers resonate within the Australian psyche.

© Rex Dupain
© Rex Dupain

In the exhibition Sunscreen Celebrities, Dupain is a global traveller uncovering the beach subcultures of Coney Island, Barcelona and Sorrento. Despite the changes in geographical backgrounds – pebbles, coarse sand, or concrete – his depictions of people’s innate attraction to the water’s edge remains consistent. Vitality is not limited to Dupain’s mastering of light and colour, but is also evident in the self-awareness of his beachside idols. Whether it is a slight hand gesture, a languid pose, or a torso flexed in motion, each subject is responding to the elements – sun, water, air, and earth – on their skin.

© Rex Dupain
© Rex Dupain

With the miniaturisation of digital camera technology and proliferation of social media into our everyday, the photographic image has become ubiquitous. Celebrity culture, online and in the media, promotes the idea of self-reflexivity and anyone with a mobile phone has the potential to be paparazzi. Dupain says this has offered his practice unexpected freedom: “Not so long ago, candid photography was deemed unlawful. ‘Free range’ photographers, like myself, were restricted to photographing people under consensual agreements. So, the unrehearsed images that bought magic to gallery walls vanished. This hysteria has now cooled off thanks to the influx of the selfie generation. According to my experiences, the public have wilfully encouraged me back onto the sand.”

© Rex Dupain
© Rex Dupain

This exhibition is presented by the Australian Centre for Photography in partnership with the Waverley Council, with support from Michael Reid Sydney.

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February

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 11 Feb – 25 April 2026. Familial brings together six international artists whose work navigates the emotional and psychological terrain of family.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

Melbourne: 7 March – 24 May 2026. Photos of flowers from the NGA collection by prominent photographers drawn such as Robert Mapplethorpe and four groundbreaking Australian photographers.

Melbourne: 10 March – 5 May 2026. TOPshots is an annual celebration of emerging photo-media artists selected from a large pool of entries.

April

Sydney: 9 April event 6-9pm. Unfinished is a free event to show/see photo-based work in progress or recently completed personal projects run by photographers for photographers.

Sydney: 15 April – 9 May 2026. An exhibition of fine art photography celebrating the intersection of maritime history and the human form.