Naabami (thou will/shall see): Barangaroo (army of me) by Brenda L. Croft

A major outdoor public artwork by leading First Nations multidisciplinary artist Brenda L. Croft (Gurindji/Malngin/Mudburra) is on display along the Barangaroo waterfront until 29 January as part of the Sydney Festival 2023. The installation, Naabami (thou shall/will see): Barangaroo (army of me) presents 60 large-scale photographic portraits of contemporary First Nations women and girls. 

© Brenda L. Croft. Lille I (Arrernte/Bundjalung/Kalkatungu)
© Brenda L. Croft. Lille I (Arrernte/Bundjalung/Kalkatungu)

The portraits were captured in Canberra and Sydney from 2019 to 2022, some of the participants include those photographed by Croft spanning three decades, with others first-time subjects. Several generations of families are portrayed; some participants were first photographed as children, now represented as steadfast young women; sisters, aunties, mothers, grandmothers.

Naabami (thou will/shall see): Barangaroo (army of me) honours Barangaroo (c. 1750 - 1791), an intriguing, steadfast First Nations (Cammeraygal) woman, renowned not only for her mastery of fishing, but also acknowledged for her determination as to how she would live and die on her sovereign homelands. 

© Brenda L. Croft. Leanne II (Dharug), 2021-22
© Brenda L. Croft. Leanne II (Dharug), 2021-22

The large-scale portraits digitally printed on metal reference the wet plate collodion process in the original tin-types and are installed in sandstone blocks - cast-off from colonial buildings, originally hewn from traditional lands.

Brenda L. Croft said: “I pay my deep respects and acknowledgements to Ngambri | Ngunawal | Ngunnawal Traditional Owners on whose unceded sovereign lands I live and work in Canberra, and to all First Nations Traditional Custodians on whose unceded sovereign lands I am privileged to live, work & travel through, in Australia and overseas. First Nations ancestor women such as Barangaroo and those who followed have inspired, guided and mentored me throughout my life. I stand on the shoulders of giants. Marntaj.”

© Daniel Boud. Naabami (thou will-shall see)- Barangaroo (army of me).
© Daniel Boud. Naabami (thou will-shall see): Barangaroo (army of me).

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February

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 11 Feb – 25 April 2026. Familial brings together six international artists whose work navigates the emotional and psychological terrain of family.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

Melbourne: 7 March – 24 May 2026. Photos of flowers from the NGA collection by prominent photographers drawn such as Robert Mapplethorpe and four groundbreaking Australian photographers.

Melbourne: 10 March – 5 May 2026. TOPshots is an annual celebration of emerging photo-media artists selected from a large pool of entries.

April

Sydney: 9 April event 6-9pm. Unfinished is a free event to show/see photo-based work in progress or recently completed personal projects run by photographers for photographers.

Sydney: 15 April – 9 May 2026. An exhibition of fine art photography celebrating the intersection of maritime history and the human form.