Naabami (thou will/shall see): Barangaroo (army of me) by Brenda L. Croft

A major outdoor public artwork by leading First Nations multidisciplinary artist Brenda L. Croft (Gurindji/Malngin/Mudburra) is on display along the Barangaroo waterfront until 29 January as part of the Sydney Festival 2023. The installation, Naabami (thou shall/will see): Barangaroo (army of me) presents 60 large-scale photographic portraits of contemporary First Nations women and girls. 

© Brenda L. Croft. Lille I (Arrernte/Bundjalung/Kalkatungu)
© Brenda L. Croft. Lille I (Arrernte/Bundjalung/Kalkatungu)

The portraits were captured in Canberra and Sydney from 2019 to 2022, some of the participants include those photographed by Croft spanning three decades, with others first-time subjects. Several generations of families are portrayed; some participants were first photographed as children, now represented as steadfast young women; sisters, aunties, mothers, grandmothers.

Naabami (thou will/shall see): Barangaroo (army of me) honours Barangaroo (c. 1750 - 1791), an intriguing, steadfast First Nations (Cammeraygal) woman, renowned not only for her mastery of fishing, but also acknowledged for her determination as to how she would live and die on her sovereign homelands. 

© Brenda L. Croft. Leanne II (Dharug), 2021-22
© Brenda L. Croft. Leanne II (Dharug), 2021-22

The large-scale portraits digitally printed on metal reference the wet plate collodion process in the original tin-types and are installed in sandstone blocks - cast-off from colonial buildings, originally hewn from traditional lands.

Brenda L. Croft said: “I pay my deep respects and acknowledgements to Ngambri | Ngunawal | Ngunnawal Traditional Owners on whose unceded sovereign lands I live and work in Canberra, and to all First Nations Traditional Custodians on whose unceded sovereign lands I am privileged to live, work & travel through, in Australia and overseas. First Nations ancestor women such as Barangaroo and those who followed have inspired, guided and mentored me throughout my life. I stand on the shoulders of giants. Marntaj.”

© Daniel Boud. Naabami (thou will-shall see)- Barangaroo (army of me).
© Daniel Boud. Naabami (thou will-shall see): Barangaroo (army of me).

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February

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.

June

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Melbourne: 6 June – 28 June 2-26. We Built a House Out of Water is a deeply personal body of work that draws on memory, family, and culture – while understanding healing as an ongoing process.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.