Murray Fredericks | The Salt Lake

Salt 300 (Tent & Bike) 2005
pigment print on cotton rag
120.0 x 250.0 cm
Salt 300 (Tent & Bike) 2005 pigment print on cotton rag 120.0 x 250.0 cm

The salt lake is a major survey exhibition of Murray Fredericks that brings together Salt, Array, Vanityand his most recent series, Blaze. From the earthly to the celestial, the physical to the metaphysical, these exhibitions consider place, time and space in very different ways.

Over the last 20 years, Murray Fredericks has established himself as one of the leading international artists challenging the traditions of landscape photography. In 2003 Murray Fredericks first visited Kati Thanda–Lake Eyre, one of the world’s largest salt lakes, located in the deserts of central Australia. Driven by the boundless potential of abstract space, Fredericks has returned 31 times over the past two decades, exploring perceptual states of being. His chapters, or ‘cycles’ as he calls them, have explored interventions with mirrors, and more recently fire, capturing infinity and the void through the lens of contemplative minimalism. Defined by light, colour and space, Fredericks’s photographs are a phenomenological response to the experience of existing in an ostensibly empty place without scale.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

March

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.

June

Canberra: The works by the 34 selected finalists provide a powerful visual record of the year, reflecting a particular time in Australian culture, both socially and artistically.

Sydney: The exhibition features over 90 photographs that shine a light on the astonishing array of flora, fauna and landscapes that can be found across the Australia, New Zealand, Antarctica and New Guinea bioregion.

July

Wollongong: Employing magical realism and unique printing techniques, Cooper’s photographs place their inhabitants in a dreamlike world.

Melbourne: A group photography exhibition from 19 local Melbourne photographers.

Sydney: Award-winning art director, trained architect and acclaimed photographer Damien Drew shines a light on the serene yet haunting landscapes of Japan’s Shikoku Island in his latest exhibition ‘Shikoku no Seijaku’ (Shikoku Silence).

Sydney: Influenced by a family legacy from migrant to missionary, seamstress, and educators, Milgate's work intertwines personal and historical narratives, delving into the socio-political context of colonial and post-colonial discourses.

August

Melbourne: Dani Watson's landscape photography investigates the intricate relationship between humans and the natural world.