Metamorphosis by Ashlee Pham

Polaroid self-portraiture by Ashlee Pham, Metamorphosis is an exploration of her emotional journey through self-portrait, simple props, and botanical arrangements. Each represents a modal shift in her state of mind as she navigates loss and the stages of depression.

© Ashlee Pham. ANALOG, A PHALAENOPSIS FOR CONFINEMENT, 2020, POLAROID.
© Ashlee Pham. ANALOG, A PHALAENOPSIS FOR CONFINEMENT, 2020, POLAROID.

Artist statement

Created over two years during the most challenging period of my life, this body of work was both an escape and a deep dive into emotions I was yet to become aware of. During lockdown, my bedroom was a safe haven, a place to explore and give form to my inner world. A side table, a bedsheet, a curtain seen through the camera lens was all the magic I needed to escape for even a moment.

During this time I had begun to detach from the only person that has ever really known me, my life partner, my husband. Had you asked me then how I was I could never find the words, I kept my feelings in a box, lid tightly shut and tied with a bow. Through this process howeer, I can no longer stay hidden as the reality is burnt on film for all to see, including me.

About the artist

Ashle Pham is a self-taught photoraphy of Vietnamese origin currently based in Sydney, Australia. Her practice is inhabited by the feminine protagonists of an intimate and melancholic world. The imagery strives to exist beyond age, body, type ethnicity or other social norms to form an aesthetic language that excludes no one.

Her recent work has explored self-portraiture using analog methodologies and in-camera effects that speak to emotional upheaval , exploration and transformation.

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July

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

September

Canberra: 11 – 23 November. Step into the heart of Canberra through the eyes of local photographers. Essence of Canberra marks 80 years of creativity, community, and the unique perspectives of Canberra Photographic Society (CPS) members.

November

Canberra: Until 1 March 2026. Women photographers 1853–2018 highlights the transformative impact of women artists on the history of photography.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Sydney: 7–30 November. The festival transforms Sydney into a photography haven with major exhibitions at Bondi Pavilion Gallery and outdoor displays throughout Paddington Reservoir Gardens and along Bondi Beach.

Sydney: Until 30 Nov 2025. Infranatura reveals the hidden beauty of Australia’s flora, exposing both its resilience and vulnerability, and exploring how light and perception shape our connection to nature today.

Sydney: Until 27 Nov. As part of the 2025 Head On Photo Festival, Sydney-based photographer Tony Maniaty is showing his latest monochrome work from recent trips to Japan, in an exhibition curated by Japan arts expert Kathryn Hunyor.

Sydney: 17 Nov – 23 Nov 2025. This collection of photographs offers a glimpse into the lives of the community of Varanasi, capturing the spirit of its people and the beauty often found in ordinary moments.

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

December

Sydney: 4 Dec – 19 Dec 2025. The project brings together around 70 images over 50 metres of wall space, profiling a wide spectrum of practical action on climate