Metamorphosis by Ashlee Pham

Polaroid self-portraiture by Ashlee Pham, Metamorphosis is an exploration of her emotional journey through self-portrait, simple props, and botanical arrangements. Each represents a modal shift in her state of mind as she navigates loss and the stages of depression.

© Ashlee Pham. ANALOG, A PHALAENOPSIS FOR CONFINEMENT, 2020, POLAROID.
© Ashlee Pham. ANALOG, A PHALAENOPSIS FOR CONFINEMENT, 2020, POLAROID.

Artist statement

Created over two years during the most challenging period of my life, this body of work was both an escape and a deep dive into emotions I was yet to become aware of. During lockdown, my bedroom was a safe haven, a place to explore and give form to my inner world. A side table, a bedsheet, a curtain seen through the camera lens was all the magic I needed to escape for even a moment.

During this time I had begun to detach from the only person that has ever really known me, my life partner, my husband. Had you asked me then how I was I could never find the words, I kept my feelings in a box, lid tightly shut and tied with a bow. Through this process howeer, I can no longer stay hidden as the reality is burnt on film for all to see, including me.

About the artist

Ashle Pham is a self-taught photoraphy of Vietnamese origin currently based in Sydney, Australia. Her practice is inhabited by the feminine protagonists of an intimate and melancholic world. The imagery strives to exist beyond age, body, type ethnicity or other social norms to form an aesthetic language that excludes no one.

Her recent work has explored self-portraiture using analog methodologies and in-camera effects that speak to emotional upheaval , exploration and transformation.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.