Light Shadow by Koo Bohnchang

The first solo exhibition in Australia by South Korea's leading photographer, Koo Bohnchang, features 39 artworks that capture the moment of encounter between white porcelains of the Joseon Dynasty (1392–1910), a camera, and an artist. In order to produce the exhibition, Light Shadows, Koo Bohnchang embarked on a journey in search of Korean white porcelains scattered all over the world in different museums. 

© Koo Bohnchang
© Koo Bohnchang

Koo, fascinated by the subtlety of baekja (white porcelain), began to capture the white porcelain on camera in 2004 by travelling around major museums around the world. The artist, who is well known for expressing the white porcelain's most white porcelaneous colour and energy in photographs, describes his works as, "Rich, as if the white porcelain’s warmth and energy were permeated, and contains a soul like a person would in a portrait".

His journey to reinterpret the mysterious purity of dal hang-ari (moon jar) and the various forms of baekja scattered around the world have taken him to many reputed institutions which include the Musée Guimet in Paris, the Koryo Museum of Art in Kyoto, the British Museum in London, and the National Museum of Korea.

ABOUT THE ARTIST

Koo Bohnchang captures still and fragile moments, attempting to reveal the unseen breath of life. Since completing his studies in Germany in 1985, Koo has established an international reputation as a photographic artist. His works have been featured in over 30 solo exhibitions including Samsung Rodin Gallery, Seoul (2001), Peabody Essex Museum, Massachussetts (2002), Camera Obscura, Paris (2004), Kukje Gallery, Seoul, Kahitsukan Kyoto Museum of Contemporary Art, Japan (2006), GoEun Museum of Photography, Busan (2007), and Philadelphia Museum of Art, Philadelphia (2010). He was a professor at Kaywon School of Art and Design, Chung Ang University, Seoul Institute of the Arts and a visiting professor in London Saint Martin School.

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May

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

June

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Brisbane: until 18 October 2026. Known affectionately as the ‘Cool Cat of journalism’ Wayne moved effortlessly among the greats, between the media and community, treating every encounter as part of his day’s work behind the lens.

July

Melbourne: Until 30 Spetember 2026. Melbourne photographer Stefanie Wendler-Canning is inviting visitors to see one of the garden's most familiar flowers from an entirely different perspective in her new exhibition.

August

Melbourne: Until 15 November 2026. This exhibition will present the most comprehensive survey of the work of the eminent Hungarian-born, French photographer Brassaï yet to be seen in Australia.

Sydney: Until 13 September 2026. Devotion is an ongoing series by Sly Morikawa documenting Sanja Matsuri, the annual Shinto festival held in Tokyo’s Asakusa district.

Sydney: 24 August 2026 – 18 July 2027. Featuring almost 200 images and original prints personally selected by Dupain for magazine and book publishers, the exhibition reveals the extraordinary breadth of his work.

Australian photojournalist Andrew Quilty will share the story behind his remarkable career at a special presentation hosted by Kayell Australia in Sydney on August 26.