Light Shadow by Koo Bohnchang

The first solo exhibition in Australia by South Korea's leading photographer, Koo Bohnchang, features 39 artworks that capture the moment of encounter between white porcelains of the Joseon Dynasty (1392–1910), a camera, and an artist. In order to produce the exhibition, Light Shadows, Koo Bohnchang embarked on a journey in search of Korean white porcelains scattered all over the world in different museums. 

© Koo Bohnchang
© Koo Bohnchang

Koo, fascinated by the subtlety of baekja (white porcelain), began to capture the white porcelain on camera in 2004 by travelling around major museums around the world. The artist, who is well known for expressing the white porcelain's most white porcelaneous colour and energy in photographs, describes his works as, "Rich, as if the white porcelain’s warmth and energy were permeated, and contains a soul like a person would in a portrait".

His journey to reinterpret the mysterious purity of dal hang-ari (moon jar) and the various forms of baekja scattered around the world have taken him to many reputed institutions which include the Musée Guimet in Paris, the Koryo Museum of Art in Kyoto, the British Museum in London, and the National Museum of Korea.

ABOUT THE ARTIST

Koo Bohnchang captures still and fragile moments, attempting to reveal the unseen breath of life. Since completing his studies in Germany in 1985, Koo has established an international reputation as a photographic artist. His works have been featured in over 30 solo exhibitions including Samsung Rodin Gallery, Seoul (2001), Peabody Essex Museum, Massachussetts (2002), Camera Obscura, Paris (2004), Kukje Gallery, Seoul, Kahitsukan Kyoto Museum of Contemporary Art, Japan (2006), GoEun Museum of Photography, Busan (2007), and Philadelphia Museum of Art, Philadelphia (2010). He was a professor at Kaywon School of Art and Design, Chung Ang University, Seoul Institute of the Arts and a visiting professor in London Saint Martin School.

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May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.

June

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Sydney: until 4 July 2026. A Breath Before Dawn is a meditation on memory, inheritance and the unresolved presence of history within the body.

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Melbourne: 6 June – 28 June 2-26. We Built a House Out of Water is a deeply personal body of work that draws on memory, family, and culture – while understanding healing as an ongoing process.