Life's a Beach by Martin Parr

Italy. Lake Garda. 1999. from Life's A Beach
(Aperture, 2013). © Martin Parr/Magnum Photos.
Italy. Lake Garda. 1999. from Life's A Beach (Aperture, 2013). © Martin Parr/Magnum Photos.

For the first time in Australia comes an exhibition of seaside snaps from British Magnum photographer, Martin Parr, comprising 53 images. Parr has travelled the world – from China to Chile, Britain to Eastern Europe - capturing the people, places and peculiarities found at the beach and his stunning, colourful images are collected here in an exhibition organised by Aperture Foundation, New York. Now, the Australian Centre for Photography, in partnership with Waverley Council, brings Life's a Beach to Australia in a free pop-up exhibition at Bondi's iconic Pavilion Gallery.

© Martin Parr/Magnum Photos. Japan. Miyazaki. The Ocean Dome. 1996. from
Life's A Beach (Aperture, 2013)
Japan. Miyazaki. The Ocean Dome. 1996. from Life's A Beach (Aperture, 2013). © Martin Parr/Magnum Photos.

In Life’s a Beach, one of Britain’s most beloved photographers takes us on a colour-saturated journey through a place loved by all, the seaside, with its general absurdities and local quirks. Martin Parr has been photographing this subject for many decades, documenting all aspects of the tradition, including close-ups of sunbathers, rambunctious swimmers caught mid-plunge, and the eternal sandy picnic underway. His international career, in fact, could well be traced to the launch of The Last Resort, a 1986 book depicting the seaside resort of New Brighton, near Liverpool.

Belgium. Knokke. 2001. from Life's A Beach
(Aperture, 2013). © Martin Parr/Magnum Photos.© Martin Parr.
Belgium. Knokke. 2001. from Life's A Beach (Aperture, 2013). © Martin Parr/Magnum Photos.

What may be less known is that this obsession with the seaside has led Parr to photograph beaches across the world. This exhibition presents photos of beachgoers on far-flung shores, including in Argentina, Brazil, China, Spain, Italy, Latvia, Japan, the United States, Mexico, Thailand, and of course, the U.K.

© Martin Parr/Magnum Photos. Italy. Lake Garda. Riva del Garda. 1999. from Life's A Beach (Aperture, 2013)
Italy. Lake Garda. Riva del Garda. 1999. from Life's A Beach (Aperture, 2013). © Martin Parr/Magnum Photos.

Parr’s work has been celebrated for its distinctive documentary style, which lends his photographs a candid, unexpected quality... it also gives Parr ample room to flex his dry sense of humour and playful treatment of his subjects. In Life’s a Beach, Parr’s unwitting subjects are presented in their element, echoing the ‘let it all hang out’ ethos of the seaside, in evidence the world over.

Also accompanying the exhibition is Life is a Beach, a coffee-table book featuring works from the exhibition, produced by the Aperture Foundation.

GB. England. Kent. Margate. 1986, from Life's
A Beach (Aperture, 2013). © Martin Parr/Magnum Photos.
GB. England. Kent. Margate. 1986, from Life's A Beach (Aperture, 2013). © Martin Parr/Magnum Photos.

 

  • Organised by: Australian Centre for Photography
  • Phone: 0293320555

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Melbourne: 1 March – 25 May 2025. Featuring the work of approximately 60 artists, The Basement brings to light rare vintage prints from the 1960s – 1980s, from students and teachers of the College’s Diploma of Art & Design (Photography).

Perth: 15 Feb - 3 May 2025. de-centre re-centre highlights the strength and diversity of contemporary photography in Australia. The exhibition explores place and belonging in First Nations, diasporic and queer communities.

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Canberra: 27 Feb until 20 July 2025. The National Library has invited renowned Australian photojournalist Mike Bowers to select some of his favourite images from the Fairfax Photo Archive.

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Perth: Until 18 May 2025. Henry Roy – Impossible Island draws on 40-years of recollections and observations as it brings together 113 photos taken from 1983 to 2023.

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Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

Sydney: Until 15 May. Scott Perkins new series of expertly crafted landscape photographs and light boxes are located within photography and sculpture disciplines.

May

Melbourne: Opening 4 May 2-4pm. Then open until 25 May. An exhibition of the mature and recent work of photographer / artists who trained at the ground-breaking Prahran CAE, Melbourne in the 1970s and 80s.