It Seems to Come in Waves - group exhibition

It Seems to Come in Waves and is a group show centred on contemporary surf and ocean photography, focusing on four artists from the Central Coast, New South Wales, all early to mid-career photographers: Luke Shadbolt, Ryan Heywood, Spence Hornby, and Reed Plummer. It represents contemporary practice in surf photography and shows the emerging possibilities of the medium. It represents contemporary practice in surf photography and shows the emerging possibilities of the medium.

© Luke Shadbolt. Maelstrom 11, 2018. Giclée digital print on archival Hahnemuhle fine art paper.
© Luke Shadbolt. Maelstrom 11, 2018. Giclée digital print on archival Hahnemuhle fine art paper.

Ocean photography became popular with the rise of surf culture in the 60s and 70s. Characterised by combining an understanding of the technological, conceptual, and the elemental, it is an art-form borne of connection.

The last ten years has seen major changes within this niche industry. The increasing move towards digital content and decline of the print industry has led to a lack of financial incentive to pursue this art form. Meanwhile, improvements in camera technology, drones, and underwater equipment have led to new perspectives being captured with renewed personal clarity and increasingly extreme shifts in the climate and aquatic environment have been tracked and documented in greater detail than ever before.

© Spence Hornby.
© Spence Hornby. Full Focus, 2010. Digital print on textured chromate cotton fibre fine art paper.

Connection to the environment is sustained in constant collaboration and compromise. It requires an in-depth understanding of coastal weather, tidal movements, wind, and swell forecasts, a cavalier attitude, and the ability to drop everything at a moment’s notice to pursue swells from seasonal weather events all around the world. Connection to the surf community is at the heart of the art form. It is developed through common rituals of camaraderie, where respect is earned over time.

© Ryan Heywood.
© Ryan Heywood. Safi Samir, 2020. Digital print on archival fine art paper.
© Reed Plummer.
© Reed Plummer.

Upcoming Events Submit an Event

February

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 11 Feb – 25 April 2026. Familial brings together six international artists whose work navigates the emotional and psychological terrain of family.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

Melbourne: 7 March – 24 May 2026. Photos of flowers from the NGA collection by prominent photographers drawn such as Robert Mapplethorpe and four groundbreaking Australian photographers.

Melbourne: 10 March – 5 May 2026. TOPshots is an annual celebration of emerging photo-media artists selected from a large pool of entries.

April

Sydney: 15 April – 9 May 2026. An exhibition of fine art photography celebrating the intersection of maritime history and the human form.