Indochine by Samantha Everton

Acclaimed photographer, Samantha Everton presents Indochine – a dynamic new exhibition series which explores the intersection of Western influences and Eastern traditions. Indochine depicts a woman navigating the conflicting cultural pressures of the East and the West. Exuding visual luxury and vivid sensuality, the artworks plunge the viewer into a colour-saturated dreamscape. The series explores the encroachment of Western fashion within Asian cultures and the struggle for authenticity amidst contemporary influences.

© Samantha Everton. "Chinoiserie", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Chinoiserie", Pigment ink on cotton rag, 2018.

Behind the amplified colouration and ornamental intricacies are symbolic elements that offer clues to the underlying stories. Everton's talent is to reveal what lies hidden, and in the portraits can be found fragility and adaptability, vulnerability and resilience, compliance and resolute self-expression. The women captured are torn between the cultural values and expectations of their times and a deep interior struggling towards individuality.

Informed by the artist’s multi-cultural upbringing, with three adopted Asian siblings, Indochine explores identity and how Western influences have intersected with Eastern traditions and values. It also touches on the methods available to women to express a changing cultural identity by altering their appearance. While such shifts are sometimes presumed to be a relatively new phenomenon, the artworks explore how this blending of Eastern and Western cultures has been happening perceptibly for centuries.

© Samantha Everton. "Femme Fatale", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Femme Fatale", Pigment ink on cotton rag, 2018.

About Samantha Everton

Born in Whyalla, South Australia, and raised in central Queensland Samantha Everton credits her unusual childhood as instrumental in fostering a creative mind. Growing up with a biological brother and three adopted Asian siblings, Everton spent hours fossicking for gemstones under the wide blue skies of remote mining towns. Hers was a colour-saturated world. Although not directly referencing her own family experience, multicultural themes and notions of identity continue to influence much of her imagery.

© Samantha Everton. "Giong Chim", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Giong Chim", Pigment ink on cotton rag, 2018.

Everton graduated with a Photographic Design Degree, RMIT 2003 and subsequently achieved success in a great number of prestigious awards including Px3 Paris International Photography Awards (2010, 2014), Moran Contemporary Art Prize (Highly Commended 2009), London International Creative Competition (2010), the Photography Master Cup International Colour Awards (2013) and the Head On Photo Awards (2015).

Everton has exhibited widely, with more than twenty solo exhibitions to her name, across Australia and internationally.

© Samantha Everton. "Dulcinea", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Dulcinea", Pigment ink on cotton rag, 2018.

Upcoming Events Submit an Event

April

Canberra: 27 Feb until 20 July 2025. The National Library has invited renowned Australian photojournalist Mike Bowers to select some of his favourite images from the Fairfax Photo Archive.

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

May

Sydney: 15 May – 19 October. Showcasing 100 incredible images, this remarkable exhibition offers a window into the astonishing variety of life on our planet – and the critical importance of preserving it.

Sydney: Until 14 June. With a career spanning fifty years, his virtuosic artistry continues to unfold in powerful, haunting images that explore the timeless mystery of the human condition.

Perth: From 31 May – 28 Sept 2025. Featuring 85 works from three major series – Deep Springs, Overpass, and Cross Country – the exhibition spans twelve years of Contis’s evolving photographic practice.

June

Sydney: Until 6 July. Presenting the results of the 2025 World Press Photo Contest, the annual exhibition showcases the best and most important photojournalism and documentary photography of the last year.

These two exhibitions explore the migrant experience and integration into Australian culture.

Melbourne: June 5 - 16 August 2025. The explore the history of Alan Adler's photobooths and their cultural significance, alongside visual stories told by the community.