Hoda Afshar – A Curve is a Broken Line

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Through her photographs and moving image works, Iranian-born, Melbourne-based Hoda Afshar examines the politics of image-making. Deeply researched yet emotionally sensitive, her work can be seen as a form of activism as much as an artistic inquiry.

Afshar uses the camera to give visibility to those who have been denied it, resolutely insisting on the humanity of her subjects. She makes us contend with violence and brutality, not through blunt imagery but through evocation. Her work is anchored in empathy yet also radical in the way it wrestles with injustice.

This exhibition will feature photography and film from the past decade to present a comprehensive overview of Afshar’s recent practice, including a newly commissioned series. Amassed together in dialogue for the first time in a major public institution, these works offer a poignant reminder of the power of images and their coercive potential.

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February

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.