Comfort in chaos by Johnny Brixton

Mental health deserves its place on the national agenda as one of Australia’s major health epidemics, but Melbourne photographer Shayne Hood has dealt with his demons via a two-year art project, Comfort in Chaos, that he admits saved his life.

© Johnny Brixton
© Johnny Brixton

The work shows Hood’s raw emotive photos of sister cities Melbourne and San Francisco, accompanied by written pieces characterising his innermost struggles during times of severe mental crisis. “Creating Comfort in Chaos is the reason I’m still here today,’ Hood says. “It honestly saved my life.”

© Johnny Brixton
© Johnny Brixton

Hood’s muse is his upbringing. “It’s eye-opening to grow up around a dysfunctional family, drug addiction, and what others call criminals and degenerates,” he says. “I wear where I’m from with pride, wherever I walk. I live for the people I lost, and the dreams that they once had. It has left me with many mental scars, but I choose to put the pain into my work, instead of into something not so desirable.” Hood says that building this exhibition has helped him put a lot of demons to rest.

© Johnny Brixton
© Johnny Brixton

Hood, who’s also known by his artist moniker, ‘Johnny Brixton’, has been variously involved in the Melbourne creative arts scene since 2011 as a photographer, filmmaker, and poet, but through his role as a youth worker and lecturer has come into contact with those needing respite most from mental health issues. He hopes that Comfort in Chaos will encourage others in similar situations to gain the confidence to share their own experiences through art. “It’s so important to have an outlet for your thoughts, to express yourself and sometimes leave your innermost thoughts in a safe way - and art is a great way to do that,” he says. “To now share that with people is scary, but liberating.”

© Johnny Brixton
© Johnny Brixton

Upcoming Events Submit an Event

March

Melbourne: 1 March – 25 May 2025. Featuring the work of approximately 60 artists, The Basement brings to light rare vintage prints from the 1960s – 1980s, from students and teachers of the College’s Diploma of Art & Design (Photography).

Perth: 15 Feb - 3 May 2025. de-centre re-centre highlights the strength and diversity of contemporary photography in Australia. The exhibition explores place and belonging in First Nations, diasporic and queer communities.

Melbourne: 28 March – 4 May 2025. Horan’s work thrives on contrast: the ordinary and extraordinary, rigid and fluid, playful and refined. Using materials like plastic, chrome, glass, and foodstuffs, she elevates the overlooked through precise composition and unexpected juxtapositions.

April

Canberra: 27 Feb until 20 July 2025. The National Library has invited renowned Australian photojournalist Mike Bowers to select some of his favourite images from the Fairfax Photo Archive.

Brisbane: Until 13 July 2025. Amateur Brisbane photographer Alfred Henrie Elliott (1870-1954) extraordinary images lay dormant for decades until they were discovered only recently. This exhibition is curated by seven Brisbane photographers.

Perth: Until 18 May 2025. Henry Roy – Impossible Island draws on 40-years of recollections and observations as it brings together 113 photos taken from 1983 to 2023.

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Sydney: Until 30 June. The photographs in Max Dupain: Student Life were taken at the University of Sydney in the early 1950s, a period of rapid change marked by the politics of the Cold War.

Sydney: Until 15 May. Scott Perkins new series of expertly crafted landscape photographs and light boxes are located within photography and sculpture disciplines.

May

Melbourne: Opening 4 May 2-4pm. Then open until 25 May. An exhibition of the mature and recent work of photographer / artists who trained at the ground-breaking Prahran CAE, Melbourne in the 1970s and 80s.