Bleached Gothic by Petrina Hicks

The first major survey exhibition of celebrated Australian photographer Petrina Hicks, it includes more than 40 photograph and video works spanning the period 2003 to 2019. Seen together for the first time, Hicks’s shimmering and often surreal compositions convey the inherent ambiguity and complexity of the female experience.

Shenae and Jade, 2005, from Untitled series, 2005. Pigment inkjet print. 100.0 x 93.0 (image). Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Shenae and Jade, 2005, from Untitled series, 2005. Pigment inkjet print. 100.0 x 93.0 (image). Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

Included in the exhibition are five video works that play with the concept of slow time. Presented side by side, the photographs and the videos appear remarkably similar, but the video heightens the viewers’ sense of unease, transforming what in real life might be a beautiful moment into something menacing when replayed in a measured slow loop. In these videos, Hicks moves just beyond the two-dimensionality of the photograph, stretching out a single moment in an act of durational photography.

Bird's eye 2018, from the Still Life Studio series 2018 ed. 2/4
pigment inkjet print. 120.0 x 120.0 cm (image). National Gallery of Victoria, Melbourne. Purchased, Victorian Foundation for Living Australian Artists, 2018. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Bird's eye, 2018, from the Still Life Studio series, 2018, ed. 2/4 pigment inkjet print. 120.0 x 120.0 cm (image). National Gallery of Victoria, Melbourne.
Purchased, Victorian Foundation for Living Australian Artists, 2018.
© Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

In her contemporary art practice, Hicks draws on the aesthetics and techniques she developed during her previous career as a commercial photographer. She recreates the allure of advertising and portraiture in her impeccably pristine images. Women, girls, and animals are recurring subjects Hicks's photographs take inspiration from mythology and art history.

Lambswool 2008, from the The Descendants series, 2008. Pigment inkjet print. 100.0 x 100.0 (image). Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Lambswool, 2008, from The Descendants series, 2008. Pigment inkjet print. 100.0 x 100.0 (image).
Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
© Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

Tony Ellwood AM, Director, National Gallery of Victoria said, “We are proud to present the first in-depth exploration of the work of Australian artist Petrina Hicks, providing audiences unprecedented insight into her work and place in contemporary photography.”

Venus, 2013, from the The Shadows series, 2014. Pigment inkjet print. Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Venus, 2013, from the The Shadows series, 2014. Pigment inkjet print.
Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
© Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

Upcoming Events Submit an Event

May

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

June

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Brisbane: until 18 October 2026. Known affectionately as the ‘Cool Cat of journalism’ Wayne moved effortlessly among the greats, between the media and community, treating every encounter as part of his day’s work behind the lens.

July

Melbourne: Until 30 Spetember 2026. Melbourne photographer Stefanie Wendler-Canning is inviting visitors to see one of the garden's most familiar flowers from an entirely different perspective in her new exhibition.

August

Melbourne: Until 15 November 2026. This exhibition will present the most comprehensive survey of the work of the eminent Hungarian-born, French photographer Brassaï yet to be seen in Australia.

Sydney: Until 13 September 2026. Devotion is an ongoing series by Sly Morikawa documenting Sanja Matsuri, the annual Shinto festival held in Tokyo’s Asakusa district.

Sydney: 24 August 2026 – 18 July 2027. Featuring almost 200 images and original prints personally selected by Dupain for magazine and book publishers, the exhibition reveals the extraordinary breadth of his work.

Australian photojournalist Andrew Quilty will share the story behind his remarkable career at a special presentation hosted by Kayell Australia in Sydney on August 26.