Bleached Gothic by Petrina Hicks

The first major survey exhibition of celebrated Australian photographer Petrina Hicks, it includes more than 40 photograph and video works spanning the period 2003 to 2019. Seen together for the first time, Hicks’s shimmering and often surreal compositions convey the inherent ambiguity and complexity of the female experience.

Shenae and Jade, 2005, from Untitled series, 2005. Pigment inkjet print. 100.0 x 93.0 (image). Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Shenae and Jade, 2005, from Untitled series, 2005. Pigment inkjet print. 100.0 x 93.0 (image). Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

Included in the exhibition are five video works that play with the concept of slow time. Presented side by side, the photographs and the videos appear remarkably similar, but the video heightens the viewers’ sense of unease, transforming what in real life might be a beautiful moment into something menacing when replayed in a measured slow loop. In these videos, Hicks moves just beyond the two-dimensionality of the photograph, stretching out a single moment in an act of durational photography.

Bird's eye 2018, from the Still Life Studio series 2018 ed. 2/4
pigment inkjet print. 120.0 x 120.0 cm (image). National Gallery of Victoria, Melbourne. Purchased, Victorian Foundation for Living Australian Artists, 2018. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Bird's eye, 2018, from the Still Life Studio series, 2018, ed. 2/4 pigment inkjet print. 120.0 x 120.0 cm (image). National Gallery of Victoria, Melbourne.
Purchased, Victorian Foundation for Living Australian Artists, 2018.
© Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

In her contemporary art practice, Hicks draws on the aesthetics and techniques she developed during her previous career as a commercial photographer. She recreates the allure of advertising and portraiture in her impeccably pristine images. Women, girls, and animals are recurring subjects Hicks's photographs take inspiration from mythology and art history.

Lambswool 2008, from the The Descendants series, 2008. Pigment inkjet print. 100.0 x 100.0 (image). Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Lambswool, 2008, from The Descendants series, 2008. Pigment inkjet print. 100.0 x 100.0 (image).
Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
© Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

Tony Ellwood AM, Director, National Gallery of Victoria said, “We are proud to present the first in-depth exploration of the work of Australian artist Petrina Hicks, providing audiences unprecedented insight into her work and place in contemporary photography.”

Venus, 2013, from the The Shadows series, 2014. Pigment inkjet print. Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne. © Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
Venus, 2013, from the The Shadows series, 2014. Pigment inkjet print.
Collection of the artist, courtesy Michael Reid, Sydney; and This Is No Fantasy, Melbourne.
© Petrina Hicks. Courtesy of Michael Reid, Sydney; and This Is No Fantasy, Melbourne.

Upcoming Events Submit an Event

July

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

November

Canberra: Until 1 March 2026. Women photographers 1853–2018 highlights the transformative impact of women artists on the history of photography.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

December

Sydney: 4 Dec – 30 Jan 2026. The project brings together around 70 images over 50 metres of wall space, profiling a wide spectrum of practical action on climate

February

Perth: 1 Feb – 1 March 2026. Head On Photo Festival is expanding its footprint to Western Australia, with an outdoor and indoor festival program running from Sunday 1 February to Sunday 1 March 2026.