Australian Modern by Max Dupain

With a career spanning more than 50 years, Max Dupain is regarded as one of Australia’s most respected and influential black-and-white photographers. 

Max Dupain, Morning rush hour, Sydney Harbour Bridge 1938, black and white silver gelatin photograph. Printed by Jill White.
Max Dupain, Morning rush hour, Sydney Harbour Bridge 1938, black and white silver gelatin photograph.
Printed by Jill White.

Dupain pioneered a Modernist approach of high contrast, sharp focus, dramatic angles, and creative compositions, departing sharply from the sentimentality of soft focused and nostalgic post-colonialism.

This collection of over 60 original photographs hand printed by Jill White, records a bygone era of Australian society from the 1930s to 1980s. Amongst them are some of Australia’s most iconic images of beach culture, landscape, fashion, and the grand vistas and quiet moments of city life including the construction of the Sydney Opera House and powerful images of the new Sydney Harbour Bridge. Dupain’s work is an inspiration to any aspiring photographer or voyeur of culture.

Max Dupain, Sydney Opera House under construction (man with wire) 1962, black and white silver gelatin photograph. Printed by Jill White.
Max Dupain, Sydney Opera House under construction (man with wire) 1962,
black and white silver gelatin photograph. Printed by Jill White.

This project has been assisted by Jill White.

Jill White began her career as a photographer in the 1970s when she worked as a studio photographer, and manager, of the Max Dupain studio. This role continued until around the time of Dupain’s death in 1992 and  the Dupain Exhibition Negative Archive was bequeathed to Jill White with instructions to print, exhibit, publish, and sell his images.

Max Dupain, Bondi Beach Symmetry c1940s, black and white silver gelatin photograph. Printed by Jill White.
Max Dupain, Bondi Beach Symmetry c1940s, black and white silver gelatin photograph. Printed by Jill White.

Upcoming Events Submit an Event

February

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.

June

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Melbourne: 6 June – 28 June 2-26. We Built a House Out of Water is a deeply personal body of work that draws on memory, family, and culture – while understanding healing as an ongoing process.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.