Australians win big at Sony World Photography Awards 2020

The category winners and shortlist for the Open competition of the Sony World Photography Awards 2020 have recently been announced by the World Photography Organisation. The competition recognizes the best single images from 2019.

More than 100 photographers were shortlisted in the 2020 competition alongside ten category winners. Each winner receives the latest digital imaging equipment from Sony and will go on to compete for the Open Photographer of the Year title and a US$5,000 first prize. The overall Open winner will be announced on 9 June.

Across the 10 categories, Australians took out top honours in three categories:

  • Antoine Veling (Culture)
  • Craig McGowan (Landscape)
  • Adrian Guerin (Travel)

Category winners

ARCHITECTURE

Rosaria Sabrina Pantano (Italy) for Emotional Geography, a black & white image featuring 38° Parallelo, a pyramid shaped sculpture by Mauro Staccioli which stands at the exact point where the geographical coordinates touch the 38th parallel.

© Rosaria Sabrina Pantano, Italy, Winner, Open, Architecture, 2020 Sony World Photography Awards. Emotional Geometry.
© Rosaria Sabrina Pantano, Italy, Winner, Open, Architecture, 2020 Sony World Photography Awards. Emotional Geometry. "Having returned to Sicily for the holidays, myself and a group of friends visited Fiumara d'Arte, an open museum showcasing sculptures made by contemporary artists, located along the banks of the Tusa River. Among these works is 38° Parallelo by Mauro Staccioli - a pyramid that stands at the exact point where the geographical coordinates touch the 38th parallel. "

CREATIVE

Suxing Zhang (China Mainland) for Knot,a portrait of a young woman with a collage of symbolic elements. This single black & white image is part of the series Hua (meaning flower in Chinese) which looks at flowers as metaphors of femininity.

© Suxing Zhang, China, Winner, Open, Creative, 2020 Sony World Photography Awards. Knot. This picture is from my series ‘Hua’, which means flower in Chinese. Flowers are often used as metaphors for life and eroticism in art. Hua explores the commonalities and connections between flowers and the feminine - in particular, emotional vulnerability and sensitivity. Qualities such as calmness, and emotions such as uncertainty, fear, anxiety and loneliness are translated into conceptual and artistic forms. 
In Knot, I use a combination of light and texture to create strong visuals that heighten the senses. I like to use symbolic and metaphoric ingredients in my work, which I hope allows the audience to blend their own subjectivity with the objectivity of the photograph, leading to different interpretations and emotions.
© Suxing Zhang, China, Winner, Open, Creative, 2020 Sony World Photography Awards. Knot. "This picture is from my series ‘Hua’, which means flower in Chinese. Flowers are often used as metaphors for life and eroticism in art. Hua explores the commonalities and connections between flowers and the feminine - in particular, emotional vulnerability and sensitivity. Qualities such as calmness, and emotions such as uncertainty, fear, anxiety and loneliness are translated into conceptual and artistic forms. In Knot, I use a combination of light and texture to create strong visuals that heighten the senses. I like to use symbolic and metaphoric ingredients in my work, which I hope allows the audience to blend their own subjectivity with the objectivity of the photograph, leading to different interpretations and emotions."

CULTURE

Antoine Veling (Australia) for Mark 5:28,a photograph capturing the moment when members of the audience were invited on stage to dance at an Iggy Pop concert in the Sydney Opera House on 17 April 2019. Depicting Iggy Pop in a crowd of dancing fans, the image focuses on the singer, a woman reaching to touch him and a stage assistant struggling to keep people at bay. The scene, which was likened to a Caravaggio painting, conjures a biblical passage: Because she thought, “If I just touch his clothes, I will be healed.” (Mark 5:25-34, line 28).

© Antoine Veling, Australia, Winner, Open, Culture, 2020 Sony World Photography Awards. Mark 5:28. When audience members were invited on stage to dance at an Iggy Pop concert in Sydney Opera House, Australia, on 17 April 2019, it showed the warm welcome Aussies extend to overseas artists who travel long distances to reach them. 
A woman’s outstretched arm lunges to touch Iggy. He seems unaware of her approach as the crowd presses around him. One of Iggy’s assistants, Jos (in the grey checked shirt) tries to make some space around Iggy. The scene is reminiscent of a passage from the Bible: ‘Because she thought, “If I just touch his clothes, I will be healed.”’ (Mark 5:25-34, line 28). The image has been likened to religious paintings by Caravaggio, and his chiaroscuro technique. It went crazy on social media, making 40,000 people, including Iggy Pop, very happy.
© Antoine Veling, Australia, Winner, Open, Culture, 2020 Sony World Photography Awards. Mark 5:28. When audience members were invited on stage to dance at an Iggy Pop concert in Sydney Opera House, Australia, on 17 April 2019, it showed the warm welcome Aussies extend to overseas artists who travel long distances to reach them. A woman’s outstretched arm lunges to touch Iggy. He seems unaware of her approach as the crowd presses around him. One of Iggy’s assistants, Jos (in the grey checked shirt) tries to make some space around Iggy. The scene is reminiscent of a passage from the Bible: ‘Because she thought, “If I just touch his clothes, I will be healed.”’ (Mark 5:25-34, line 28). The image has been likened to religious paintings by Caravaggio, and his chiaroscuro technique. It went crazy on social media, making 40,000 people, including Iggy Pop, very happy.

LANDSCAPE

Craig McGowan (Australia) for Ice Reflections, an image of a solitary iceberg, set against the fjord walls in Northeast Greenland National Park. The iceberg and surrounding landscape are perfectly mirrored in the clear waters of the river resulting in a painterly and abstract photograph.

 

© Craig McGowan, Australia, Winner, Open, Landscape, 2020 Sony World Photography Awards. Ice Reflections. A solitary iceberg, set against the fjord walls in Northeast Greenland National Park.
© Craig McGowan, Australia, Winner, Open, Landscape, 2020 Sony World Photography Awards. Ice Reflections. A solitary iceberg, set against the fjord walls in Northeast Greenland National Park.

MOTION

Alec Connah (UK) for Going Down!, a record of the moment the four cooling towers of Ironbridge Power Station in Shropshire were demolished on 6 December 2019.

© Alec Connah, United Kingdom, Winner, Open, Motion, 2020 Sony World Photography Awards. Going Down! Despite measuring 125 metres high, it took the four cooling towers of Ironbridge Power Station in Shropshire, England, just 10 seconds to be demolished on 6 December 2019. The towers had been a feature of the landscape for 50 years, but were brought down as part of a new development on the site. The demolition had been a long time coming - the towers were close to a river, railway line and protected woodland, so their destruction had to be precise. This picture was taken from my garden, which is on the hillside opposite the site.
© Alec Connah, United Kingdom, Winner, Open, Motion, 2020 Sony World Photography Awards. Going Down! Despite measuring 125 metres high, it took the four cooling towers of Ironbridge Power Station in Shropshire, England, just 10 seconds to be demolished on 6 December 2019. The towers had been a feature of the landscape for 50 years, but were brought down as part of a new development on the site. The demolition had been a long time coming - the towers were close to a river, railway line and protected woodland, so their destruction had to be precise. This picture was taken from my garden, which is on the hillside opposite the site.

NATURAL WORLD & WILDLIFE

Guofei Li (China Mainland) for Tai Chi Diagram,taken in Botswana, the picture features two cheetahs licking each other clean following a successful hunt – their position in the frame resembles     the shape of a Yin and Yang symbol.

© Guofei Li, China, Winner, Open, Natural World & Wildlife, 2020 Sony World Photography Awards. Tai Chi Diagram. These cheetahs had just eaten an antelope, and were licking the bloodstains off each other’s faces. It’s a very rare posture, and one that reminded me of the traditional Chinese Tai Chi diagram. The picture was taken in Botswana in January 2019.
© Guofei Li, China, Winner, Open, Natural World & Wildlife, 2020 Sony World Photography Awards. Tai Chi Diagram. These cheetahs had just eaten an antelope, and were licking the bloodstains off each other’s faces. It’s a very rare posture, and one that reminded me of the traditional Chinese Tai Chi diagram. The picture was taken in Botswana in January 2019.

PORTRAITURE

Tom Oldham (UK) for Black Francis, a black & white portrait, originally taken for MOJO Magazine, of Pixies frontman Charles Thompson (aka Black Francis). When approaching the assignment Oldham, an experienced portrait photographer, was painfully aware of the many photoshoots his sitter has been the subject of and asked him to acknowledge his frustration with the process. The resulting image, picturing the singer digging his hands into his face, offered the perfect gesture and ran as the lead image for the article.

© Tom Oldham, United Kingdom, Category Winner, Open, Portraiture, 2020 Sony World Photography Awards. Black Francis. Photographers for MOJO Magazine enjoy a rare degree of freedom and trust with what is usually an open brief. This allows us to capture our own experience with very high profile musicians. However, when photographing famous singers, we are often painfully aware of how many times the sitter has, well, sat. I like to acknowledge this and asked Charles (aka Black Francis) to show me the level of frustration photoshoots can generate. He offered up this perfect gesture of exasperation, and the image ran as the lead portrait for the feature.
© Tom Oldham, United Kingdom, Category Winner, Open, Portraiture, 2020 Sony World Photography Awards.
Black Francis. Photographers for MOJO Magazine enjoy a rare degree of freedom and trust with what is usually an open brief. This allows us to capture our own experience with very high profile musicians. However, when photographing famous singers, we are often painfully aware of how many times the sitter has, well, sat. I like to acknowledge this and asked Charles (aka Black Francis) to show me the level of frustration photoshoots can generate. He offered up this perfect gesture of exasperation, and the image ran as the lead portrait for the feature.

STILL LIFE

Jorge Reynal (Argentina) for A Plastic Ocean, a photograph of a dead fish seemingly struggling for breath in a plastic bag. The image aims to highlight the plastic pollution crisis impacting our oceans.

© Jorge Reynal, Argentina, Winner, Open, Still Life, 2020 Sony World Photography Awards. A Plastic Ocean.
© Jorge Reynal, Argentina, Winner, Open, Still Life, 2020 Sony World Photography Awards. A Plastic Ocean. "Each year, eight million tons of plastic end up in our oceans – equivalent to emptying a garbage truck into the water every minute. This is my protest against pollution. In my language (Spanish), we use the words ‘Naturaleza Muerta’ to refer to still life, which ironically translates as ‘Dead Nature’. "

STREET PHOTOGRAPHY

Santiago Mesa (Colombia) for Colombia Resiste, the photograph documents a protester in the city of Medellin where workers and street vendors were taking part in a march when the Medellin riot squad dispersed them. This demonstration is one of many that have broken out across Latin America in recent years for reasons including the rising cost of living, inequality and lack of opportunity.

© Santiago Mesa, Colombia, Winner, Open, Street photography, 2020 Sony World Photography Awards. Colombia Resiste. In recent years, a number of protests have broken out across Latin America. Reasons for this unrest range from a proposed end to fuel subsidies in Ecuador to a rise in metro fares in Chile, and feelings of inequality and a general lack of opportunity in Colombia. In Medellín, north-western Colombia, workers and street vendors were taking part in a march when the Medellin riot squad dispersed them.
© Santiago Mesa, Colombia, Winner, Open, Street photography, 2020 Sony World Photography Awards. Colombia Resiste. In recent years, a number of protests have broken out across Latin America. Reasons for this unrest range from a proposed end to fuel subsidies in Ecuador to a rise in metro fares in Chile, and feelings of inequality and a general lack of opportunity in Colombia. In Medellín, north-western Colombia, workers and street vendors were taking part in a march when the Medellin riot squad dispersed them.

TRAVEL

Adrian Guerin (Australia) for Riding a Saharan Freight Train, an image taken from the top of the rear carriage of the iron-ore train in Mauritania as it was making its 700km long journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat . Stretching 2.5km in length, it’s one of the longest trains in the world transporting more than 200 carriages loaded with rocks.

© Adrian Guerin, Australia, Winner, Open, Travel, 2020 Sony World Photography Awards. Riding a Saharan Freight Train. At 2.5km long, the iron-ore train in Mauritania is one of the longest trains in the world. It covers over 700km on its journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat. More than 200 carriages are loaded with rocks in Zouérat, before the train begins its long journey back to Nouadhibou. I rode the train in both directions in July 2019. On the first leg of the journey I learnt that in order to photograph the full length of the train I needed to stand on the rocks for height, position myself in a rear carriage to get the full view, and keep the sun behind me. Alas, none of this was possible until the morning of day three, at which point I had almost given up. This shot was taken as I balanced on my toes atop a mountain of rocks, trying to remain steady as the train jolted from side to side.
© Adrian Guerin, Australia, Winner, Open, Travel, 2020 Sony World Photography Awards. Riding a Saharan Freight Train. "At 2.5km long, the iron-ore train in Mauritania is one of the longest trains in the world. It covers over 700km on its journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat. More than 200 carriages are loaded with rocks in Zouérat, before the train begins its long journey back to Nouadhibou. I rode the train in both directions in July 2019. On the first leg of the journey I learnt that in order to photograph the full length of the train I needed to stand on the rocks for height, position myself in a rear carriage to get the full view, and keep the sun behind me. Alas, none of this was possible until the morning of day three, at which point I had almost given up. This shot was taken as I balanced on my toes atop a mountain of rocks, trying to remain steady as the train jolted from side to side."

Commended entries

Standout images from this year’s shortlist include Pinball Pier by Stephen Tomlinson (UK, Architecture), a bird’s-eye view of Brighton Pier lit up at dusk; Metamorphosis by Stanislav Stankovskiy (Russian Federation, Creative), a cinematic image of car lights illuminating the darkness on a foggy night; Rivers by Or Adar (Israel, Landscape), a look from above at the network of rivers and creeks in a swamp area near Venice, Italy; That’s Nothing to Laugh About by Adam Stevenson (Australia, Natural World & Wildlife), a photograph of a lone kookaburra perched on a burnt tree branch surveying the damage left in the wake of one of the many devastating bushfires that gripped Australia; and Mother Love by Ottavio Marino (Italy, Portraiture), a poignant illustration of the deep bonds that exist between a mother and her child.

© Adam Stevenson.
© Adam Stevenson. "This image was taken with my iPhone X close to my home at Wallabi Point, New South Wales, Australia, after devastating bushfires swept through the area. As I watched the sun set through the smoke a kookaburra appeared and allowed me to walk right up to it. We shared a moment, watching the sun fade behind the apocalyptic scene… he was laughing."

This year’s Open competition was judged by Gisela Kayser, Managing Director and Artistic Director, Freundeskreis Willy-Brandt-Haus e.V., Berlin.

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