Finalist images revealed for the $50,000 National Photographic Portrait Prize

The National Portrait Gallery has released selected images from the final prize pool for the National Photographic Portrait Prize. The announcement of the winner will be made at the launch of the exhibition on 13 March, while the exhibition runs from 6 March until 10 May.

The Mahi-Mahi, 2019, by Rob Palmer. Josh Niland, head chef and owner of Saint Peter restaurant, is reinventing what can be done with fish, and – most importantly – with every part of the fish, in a huge effort to drastically reduce wastage. His trailblazing
work has received enormous praise from the likes of Jamie Oliver and Nigella Lawson.
The Mahi-Mahi, 2019, by Rob Palmer. Josh Niland, head chef and owner of Saint Peter restaurant, is reinventing what can be done with fish, and – most importantly – with every part of the fish, in a huge effort to drastically reduce wastage. His trailblazing work has received enormous praise from the likes of Jamie Oliver and Nigella Lawson.

With a total of 48 finalists announced, the works selected for the exhibition reflect the distinctive vision of Australia's aspiring and professional portrait photographers, and the unique nature of their subjects.

Now in its 13th year, the National Photographic Portrait Prize offers over $50,000 in prize money for categories, including the Winner, Highly Commended, the Art Handlers Award, and the People’s Choice Award.  

Eileen Kramer is a Dancer, 2019, by Hugh Stewart. Eileen Kramer is a dancer. She moved back to Australia from New York when she was 98 because she wanted to hear a kookaburra. She is 105 this year.
Eileen Kramer is a Dancer, 2019, by Hugh Stewart. Eileen Kramer is a dancer. She moved back to Australia from New York when she was 98 because she wanted to hear a kookaburra. She is 105 this year.

NPG Director Karen Quinlan said, “The Photographic Portrait Prize (the NPPP) is one of our most popular exhibitions, offering equal billing for amateur and professional photographers and an incredible opportunity for entrants to not only win prizes including the latest photographic equipment from Canon, but to have their work shown in this great national cultural institution."

Wonder, 2019, by Klarissa Dempsey.
Wonder, 2019, by Klarissa Dempsey. "This portrait is of my daughter Tayla. High-spirited, mischievous, intelligent, curious: these are some of the words that come to mind while thinking of her. Tayla always asks questions and needs to know the ‘why’; I love that about her. I love that she is one of the kindest souls you will ever meet, with the most caring heart. This moment was captured on Country homelands, where Tayla spends her time playing endlessly with her brothers and sister and cousins, riding bikes, walking to the creeks, playing with the dogs and being carefree."

Prizes

The Winner of the 2020 National Photographic Portrait Prize will be awarded over $50,000 in prizes. $30,000 cash from the Portrait Gallery and the latest photographic equipment from Canon, valued at over $22,000.

Highly Commended

The Highly Commended winner will receive an Eizo ColorEdge CG2730 27" monitor valued at $3,245.

Art Handlers' Award

The winner of the Art Handlers' Award will receive $2,000 cash thanks to IAS Fine Art Logistics, plus return shipping of their artwork after the regional tour.

Finalists

All finalists will receive a $700 discount if they purchase an Eizo ColorEdge CG2730 27" monitor valued at $3245.

Holly and Pebbles, 2018, by Chris Riordan.
Holly and Pebbles, 2018, by Chris Riordan. "They say ‘never work with kids or animals’ ... but then you miss out on the best stuff! This is my daughter Holly and her rabbit ‘Pebbles’."

The Finalists

Andrew Baker
Benny Capp
Ben Mcnamara
Ben Searcy
Brenda L Croft
Cameron Neville
Charles Tambiah
Chris Budgeon
Chris Riordan
Christophe Canato
Dave Laslett
Christian Thompson
Elizabeth Looker
Elize Strydom
Fiona Wolf-Symeonides
Graham Monro
Greg Sheehan
Hugh Stewart
James Brickwood
Jason McNamara
Karen Waller
Kelly Champion
Klarissa Dempsey

Lauren Horwood
Lori Cicchini
Maite Robin
Maree Yoelu
Marg Briese
Marieka Jacobs
Martin Philbey
Michael Murchie
Mike Bowers
Natalie Finney
Nic Duncan
Rene Kulitja & Rhett Hammerton
Rob Palmer
Russell Shakespeare
Sam Biddle & Mohammad D.
Sanjeev Singh
Sarah Rhodes
Sean Paris
Shea Kirk
Steven Lloyd
Suzanne O'Connell
Tim Hillier
Vivienne Noble

 

Rory, 2019, by Michael Murchie.
Rory, 2019, by Michael Murchie. "Down syndrome is not a barrier to creativity. Rory is a multiple award-winning photographer. I helped mentor Rory over the years, and would pit his work against anyone’s."
Lenny, 2019, by Karen Waller.
Lenny, 2019, by Karen Waller. "Lenny Willis was born in the Tarcoola hospital in 1956. His mother, Gracie, a Yankunytjatjarra woman, married his father, Tommy, the son of Irish immigrants. With his ten siblings, Lenny lived on Bon Bon Station until the late 1960s. Today, Lenny lives in Kingoonya and works on Wilgena Station as a contract musterer. In this harsh outback environment in the north of South Australia, I discover in him a warmth and generosity of spirit."
Pulangkita pitjangu (When the blanket came), 2019, by Rene Kulitja and Rhett Hammerton. Our culture has been passed down endlessly through the ages, by our grandfathers and grandmothers. Our families – many generations – left this behind for us: law,
places, land and language, to be inherited by all those that come after them. And when we are gone, they will be for our children after us to hold and look after. This blanket came and covered over our language. But let us
remember – we are not English. We are Pitjantjatjara!
Pulangkita pitjangu (When the blanket came), 2019, by Rene Kulitja and Rhett Hammerton. Our culture has been passed down endlessly through the ages, by our grandfathers and grandmothers. Our families – many generations – left this behind for us: law, places, land and language, to be inherited by all those that come after them. And when we are gone, they will be for our children after us to hold and look after. This blanket came and covered over our language. But let us remember – we are not English. We are Pitjantjatjara!"
Writing on the Wall, 2019, by Dr Christian Thompson AO.
Writing on the Wall, 2019, by Dr Christian Thompson AO. "I work as an artist, academic and virtual reality filmmaker, connecting my own experiences to wider social, cultural and political contexts. As a Bidjara person of the central Queensland desert, I have often drawn a vivid connection to the environment throughout my twenty-year practice. This self-portrait references the collective anxiety and uncertainty of the climate threat that defines our times. The title is a well-known colloquialism for a situation both impending and unavoidable. Cascading wattle blossoms act as a ticking clock. Utilising my signature native botanical elements, I disappear into the constellation of flowers – beautiful, regenerative, and ephemeral."
The Saviour, 2019, by Kelly Champion. Paediatrician Susan Beal’s groundbreaking
research into Sudden Infant Death Syndrome
(sids) revolutionised paediatric care, with her
recommendation – that babies should be placed on their backs to sleep – resulting in a staggering 85% reduction in sids cases between 1989 and 2007. To arrive at her recommendations, Beal spent countless hours interviewing over 500 families who had lost their babies. The blank pages behind her represent these lost lives.
The Saviour, 2019, by Kelly Champion. Paediatrician Susan Beal’s groundbreaking research into Sudden Infant Death Syndrome (sids) revolutionised paediatric care, with her recommendation – that babies should be placed on their backs to sleep – resulting in a staggering 85% reduction in sids cases between 1989 and 2007. To arrive at her recommendations, Beal spent countless hours interviewing over 500 families who had lost their babies. The blank pages behind her represent these lost lives.
Farmer, Fisher, Scholar and Scribe, 2019, by Andrew Baker.
Farmer, Fisher, Scholar and Scribe, 2019, by Andrew Baker. "Bruce Pascoe, 72, fisherman, farmer, student and teacher. They are occupations with attributes that have no doubt contributed to his talent as a writer and proponent of Aboriginal history. He sits still and calm, but sees my every move."

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