Under Twenty-Seven by Ella Dreyfus

Under Twenty-Seven is a solo exhibition by Australian artist Dr Ella Dreyfus that presents a series of poignant portraits which began as black and white photographs of her son and his soccer team when they were finishing primary school back in 2005. The work tracks their growth with a new portrait every seven years and Dreyfus’ detailed photographs show the boys/men bare-chested against a deep black background. Each of them displays their own unique posture and subtle facial expressions, giving the works an intensely intimate quality. Sitting side by side, the triple portraits taken at ages eleven, eighteen and twenty-five, are a meditation on masculine development, as well as a sobering reminder of the passing of time.

© Dr Ella Dreyfus, Under Twenty-Seven, SB, 2005, 2010, 2019, 460 x 460mm each, UltraChrome pigment on Canson.
© Dr Ella Dreyfus, Under Twenty-Seven, SB, 2005, 2010, 2019, 460 x 460mm each,
UltraChrome pigment on Canson.

The exhibition provides an opportunity for audiences to reflect on the representation of masculinity in contemporary culture, by showing them in a way that is distinct from the narrow ideals generally found in the mass-media and advertising. Through the work, Dreyfus demonstrates a particular sensitivity to the experiences of the young men, who during these critical stages of their lives will undoubtedly have been influenced by the social demands and perceptions of masculine attitudes, looks and behaviours. In this society, men are often expected to repress certain emotions such as tenderness and empathy; in drawing attention to these issues the exhibition takes a probing approach to gender, representation, beauty and the body.

There are 14 sets of portraits in the series. Ella Dreyfus has been photographing the body – young bodies, old bodies and all inbetween bodies – for over thirty years.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Ballarat: Scotty So is a Melbourne-based artist who works across media, using painting, photography, sculptures, site-responsive installation, videos and drag performance.

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

Sydney: Curated by Lynn Smith, Urban Enigmas aims to unlock the subtle mysteries that lurk in out-of-the-way places in big cities: back lanes, river banks, street markets, abandoned factories, old bridges and so on.

March

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.