The Fall 2017–2018 by David Rosendale

A recent semi-finalist in the Moran Contemporary Photography Prize, Melbourne-based photographer, David Rosendale, presents The Fall, an extensive 12 month photographic study of seasonal change and environment in the Alpine region of Falls Creek, in Victoria. The year-long project follows his 2016 exhibition of the same title and seeks to document the landscape’s four seasons. In February 2017, David Rosendale was granted Artist in Residency at the Alpine Resort of Falls Creek in Victoria, embarking on a project that would document all four seasons and imbue the photographer’s role as observer throughout a year-long cycle of change.

Falls Creek #59. NOVEMBER 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10.
NOVEMBER
Many of the last remaining snow drifts have melted and the spring light and energy has renewed colour to the landscape. Agricultural activities in the Kiewa valley in full swing. © David Rosendale.
Falls Creek #59. NOVEMBER 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10. NOVEMBER Many of the last remaining snow drifts have melted and the spring light and energy has renewed colour to the landscape. Agricultural activities in the Kiewa valley in full swing.
© David Rosendale.

Rosendale's work seeks graphical and compositional harmony within the landscape, his artworks act as witness to the evidences human activity leaves upon it.  He constantly travels and explores the lesser taken roads to find the next window on the world. Once a feel for a location is established, through careful planning and intuition, he ensures he is present at precisely the right moment, to allow the environment to reveal something unique to him and to the resultant image.

Falls Creek #53. August 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10.
AUGUST 
Nearing the end of winter, the winter season continues to deliver, with major snow events delivering the greatest snow depths in 20 years in the region. The snow mask has completely veiled the landscape, creating the iconic minimal Identity of the Alpine region. © David Rosendale.
Falls Creek #53. August 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10. AUGUST Nearing the end of winter, the winter season continues to deliver, with major snow events delivering the greatest snow depths in 20 years in the region. The snow mask has completely veiled the landscape, creating the iconic minimal Identity of the Alpine region. © David Rosendale.
Falls Creek #30. MARCH 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10.
MARCH
The sun sits lower in the sky, in the beginning of a long autumnal season of golden light. With temperatures starting to drop slightly, bands of cloud begin to lower and roll through the valleys, breaking every now and then for the occasional glimmer of sun. © David Rosendale.
Falls Creek #30. MARCH 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10. MARCH The sun sits lower in the sky, in the beginning of a long autumnal season of golden light. With temperatures starting to drop slightly, bands of cloud begin to lower and roll through the valleys, breaking every now and then for the occasional glimmer of sun. © David Rosendale.
Falls Creek #34. MAY 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10.
MAY
Temperatures have plummeted as the ground also begins to cool. The first snows have already fallen, and since melted, however an air of expectation of further snow remains. An amazing amount of stored energy in the clouds hangs over the mountains, a major snow event and transformation is only days away. © David Rosendale.
Falls Creek #34. MAY 2017. 800x570mm. Archival Inkjet Print on Cotton Rag. Hand Finished, Black Stained Timber Frames. Edition of 10. MAY Temperatures have plummeted as the ground also begins to cool. The first snows have already fallen, and since melted, however an air of expectation of further snow remains. An amazing amount of stored energy in the clouds hangs over the mountains, a major snow event and transformation is only days away.
© David Rosendale.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.