Olympia by Polixeni Papapetrou

This exhibition comprises photographs by Australian photographer Polixeni Papapetrou (1960–2018) of her daughter Olympia, covering the period from Olympia’s birth (1997) until the artist’s death (2018). Throughout this time, Olympia played a particularly important role in the artist’s image making, assuming the complex roles of model and muse, collaborator, and champion. Following the birth of her daughter, Papapetrou’s work underwent a significant change. Her earlier work had focused on the carefully constructed and stage-managed worlds of people who lived, worked and played in disguise, including drag queens, wrestlers, and avid Elvis fans. However, after Olympia’s birth, Papapetrou began photographing her children, Olympia and Solomon, and later their friends. Rather than making Papapetrou’s world smaller, this apparently inward turn opened up a limitless world of play acting, imagination and storytelling.

Polixeni Papapetrou. The debutants 2009, from the Between Worlds series 2009. Inkjet print, 105.0 x 105.0 cm
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.
Polixeni Papapetrou. The debutants 2009, from the Between Worlds series 2009. Inkjet print, 105.0 x 105.0 cm.
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.

This exhibition surveys twenty years of Papapetrou’s practice and includes works from her best-known series, as well as lesser-known images. Olympia: Photographs by Polixeni Papapetrou was curated in collaboration with the artist’s family. It draws from the NGV Collection and the artist’s estate, and is the first major museum retrospective of Papapetrou’s work.

The NGV is publishing a monograph to coincide with the exhibition. It covers twenty years of Papapetrou’s practice and features contributions from Susan van Wyk, NGV Senior Curator of Photography; Robert Nelson, art critic and widower of Papapetrou; and Papapetrou’s children, Olympia and Solomon Nelson.

Polixeni Papapetrou. Blinded 2016, from the series, Eden 2016. 
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.
Polixeni Papapetrou. Blinded 2016, from the series, Eden 2016. Private collection.
© the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.

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May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

June

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Brisbane: until 18 October 2026. Known affectionately as the ‘Cool Cat of journalism’ Wayne moved effortlessly among the greats, between the media and community, treating every encounter as part of his day’s work behind the lens.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.

July

Sydney: Until 2 August. As the first survey exhibition of Tamara Dean’s career, this collection highlights the evolution of a major voice in Australian photomedia.