Olympia by Polixeni Papapetrou

This exhibition comprises photographs by Australian photographer Polixeni Papapetrou (1960–2018) of her daughter Olympia, covering the period from Olympia’s birth (1997) until the artist’s death (2018). Throughout this time, Olympia played a particularly important role in the artist’s image making, assuming the complex roles of model and muse, collaborator, and champion. Following the birth of her daughter, Papapetrou’s work underwent a significant change. Her earlier work had focused on the carefully constructed and stage-managed worlds of people who lived, worked and played in disguise, including drag queens, wrestlers, and avid Elvis fans. However, after Olympia’s birth, Papapetrou began photographing her children, Olympia and Solomon, and later their friends. Rather than making Papapetrou’s world smaller, this apparently inward turn opened up a limitless world of play acting, imagination and storytelling.

Polixeni Papapetrou. The debutants 2009, from the Between Worlds series 2009. Inkjet print, 105.0 x 105.0 cm
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.
Polixeni Papapetrou. The debutants 2009, from the Between Worlds series 2009. Inkjet print, 105.0 x 105.0 cm.
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.

This exhibition surveys twenty years of Papapetrou’s practice and includes works from her best-known series, as well as lesser-known images. Olympia: Photographs by Polixeni Papapetrou was curated in collaboration with the artist’s family. It draws from the NGV Collection and the artist’s estate, and is the first major museum retrospective of Papapetrou’s work.

The NGV is publishing a monograph to coincide with the exhibition. It covers twenty years of Papapetrou’s practice and features contributions from Susan van Wyk, NGV Senior Curator of Photography; Robert Nelson, art critic and widower of Papapetrou; and Papapetrou’s children, Olympia and Solomon Nelson.

Polixeni Papapetrou. Blinded 2016, from the series, Eden 2016. 
Private collection. © the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.
Polixeni Papapetrou. Blinded 2016, from the series, Eden 2016. Private collection.
© the estate of Polixeni Papapetrou, Michael Reid Gallery, Sydney and Jarvis Dooney, Berlin.

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July

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

November

Canberra: Until 1 March 2026. Women photographers 1853–2018 highlights the transformative impact of women artists on the history of photography.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

December

Sydney: 4 Dec – 19 Dec 2025. The project brings together around 70 images over 50 metres of wall space, profiling a wide spectrum of practical action on climate