Light Shadow by Koo Bohnchang

The first solo exhibition in Australia by South Korea's leading photographer, Koo Bohnchang, features 39 artworks that capture the moment of encounter between white porcelains of the Joseon Dynasty (1392–1910), a camera, and an artist. In order to produce the exhibition, Light Shadows, Koo Bohnchang embarked on a journey in search of Korean white porcelains scattered all over the world in different museums. 

© Koo Bohnchang
© Koo Bohnchang

Koo, fascinated by the subtlety of baekja (white porcelain), began to capture the white porcelain on camera in 2004 by travelling around major museums around the world. The artist, who is well known for expressing the white porcelain's most white porcelaneous colour and energy in photographs, describes his works as, "Rich, as if the white porcelain’s warmth and energy were permeated, and contains a soul like a person would in a portrait".

His journey to reinterpret the mysterious purity of dal hang-ari (moon jar) and the various forms of baekja scattered around the world have taken him to many reputed institutions which include the Musée Guimet in Paris, the Koryo Museum of Art in Kyoto, the British Museum in London, and the National Museum of Korea.

ABOUT THE ARTIST

Koo Bohnchang captures still and fragile moments, attempting to reveal the unseen breath of life. Since completing his studies in Germany in 1985, Koo has established an international reputation as a photographic artist. His works have been featured in over 30 solo exhibitions including Samsung Rodin Gallery, Seoul (2001), Peabody Essex Museum, Massachussetts (2002), Camera Obscura, Paris (2004), Kukje Gallery, Seoul, Kahitsukan Kyoto Museum of Contemporary Art, Japan (2006), GoEun Museum of Photography, Busan (2007), and Philadelphia Museum of Art, Philadelphia (2010). He was a professor at Kaywon School of Art and Design, Chung Ang University, Seoul Institute of the Arts and a visiting professor in London Saint Martin School.

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July

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

November

Canberra: Until 1 March 2026. Women photographers 1853–2018 highlights the transformative impact of women artists on the history of photography.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Sydney: 7–30 November. The festival transforms Sydney into a photography haven with major exhibitions at Bondi Pavilion Gallery and outdoor displays throughout Paddington Reservoir Gardens and along Bondi Beach.

Sydney: Until 30 Nov 2025. Infranatura reveals the hidden beauty of Australia’s flora, exposing both its resilience and vulnerability, and exploring how light and perception shape our connection to nature today.

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

December

Sydney: 4 Dec – 19 Dec 2025. The project brings together around 70 images over 50 metres of wall space, profiling a wide spectrum of practical action on climate