Comfort in chaos by Johnny Brixton

Mental health deserves its place on the national agenda as one of Australia’s major health epidemics, but Melbourne photographer Shayne Hood has dealt with his demons via a two-year art project, Comfort in Chaos, that he admits saved his life.

© Johnny Brixton
© Johnny Brixton

The work shows Hood’s raw emotive photos of sister cities Melbourne and San Francisco, accompanied by written pieces characterising his innermost struggles during times of severe mental crisis. “Creating Comfort in Chaos is the reason I’m still here today,’ Hood says. “It honestly saved my life.”

© Johnny Brixton
© Johnny Brixton

Hood’s muse is his upbringing. “It’s eye-opening to grow up around a dysfunctional family, drug addiction, and what others call criminals and degenerates,” he says. “I wear where I’m from with pride, wherever I walk. I live for the people I lost, and the dreams that they once had. It has left me with many mental scars, but I choose to put the pain into my work, instead of into something not so desirable.” Hood says that building this exhibition has helped him put a lot of demons to rest.

© Johnny Brixton
© Johnny Brixton

Hood, who’s also known by his artist moniker, ‘Johnny Brixton’, has been variously involved in the Melbourne creative arts scene since 2011 as a photographer, filmmaker, and poet, but through his role as a youth worker and lecturer has come into contact with those needing respite most from mental health issues. He hopes that Comfort in Chaos will encourage others in similar situations to gain the confidence to share their own experiences through art. “It’s so important to have an outlet for your thoughts, to express yourself and sometimes leave your innermost thoughts in a safe way - and art is a great way to do that,” he says. “To now share that with people is scary, but liberating.”

© Johnny Brixton
© Johnny Brixton

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.