Comfort in chaos by Johnny Brixton

Mental health deserves its place on the national agenda as one of Australia’s major health epidemics, but Melbourne photographer Shayne Hood has dealt with his demons via a two-year art project, Comfort in Chaos, that he admits saved his life.

© Johnny Brixton
© Johnny Brixton

The work shows Hood’s raw emotive photos of sister cities Melbourne and San Francisco, accompanied by written pieces characterising his innermost struggles during times of severe mental crisis. “Creating Comfort in Chaos is the reason I’m still here today,’ Hood says. “It honestly saved my life.”

© Johnny Brixton
© Johnny Brixton

Hood’s muse is his upbringing. “It’s eye-opening to grow up around a dysfunctional family, drug addiction, and what others call criminals and degenerates,” he says. “I wear where I’m from with pride, wherever I walk. I live for the people I lost, and the dreams that they once had. It has left me with many mental scars, but I choose to put the pain into my work, instead of into something not so desirable.” Hood says that building this exhibition has helped him put a lot of demons to rest.

© Johnny Brixton
© Johnny Brixton

Hood, who’s also known by his artist moniker, ‘Johnny Brixton’, has been variously involved in the Melbourne creative arts scene since 2011 as a photographer, filmmaker, and poet, but through his role as a youth worker and lecturer has come into contact with those needing respite most from mental health issues. He hopes that Comfort in Chaos will encourage others in similar situations to gain the confidence to share their own experiences through art. “It’s so important to have an outlet for your thoughts, to express yourself and sometimes leave your innermost thoughts in a safe way - and art is a great way to do that,” he says. “To now share that with people is scary, but liberating.”

© Johnny Brixton
© Johnny Brixton

Upcoming Events Submit an Event

July

Sydney: Until 31 Dec 2025. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

November

Canberra: Until 1 March 2026. Women photographers 1853–2018 highlights the transformative impact of women artists on the history of photography.

Sydney: Until 11 April. Unfinished Business brings together the voices of 30 Aboriginal and Torres Strait Islander people living with disabilities from remote, regional, and urban communities across Australia.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Melbourne: 28 Nov 2025 – 26 May 2026. The exhibition celebrates the wide-ranging photographic practices of more than eighty women artists working between 1900 and 1975.

December

Sydney: 4 Dec – 19 Dec 2025. The project brings together around 70 images over 50 metres of wall space, profiling a wide spectrum of practical action on climate