Comfort in chaos by Johnny Brixton

Mental health deserves its place on the national agenda as one of Australia’s major health epidemics, but Melbourne photographer Shayne Hood has dealt with his demons via a two-year art project, Comfort in Chaos, that he admits saved his life.

© Johnny Brixton
© Johnny Brixton

The work shows Hood’s raw emotive photos of sister cities Melbourne and San Francisco, accompanied by written pieces characterising his innermost struggles during times of severe mental crisis. “Creating Comfort in Chaos is the reason I’m still here today,’ Hood says. “It honestly saved my life.”

© Johnny Brixton
© Johnny Brixton

Hood’s muse is his upbringing. “It’s eye-opening to grow up around a dysfunctional family, drug addiction, and what others call criminals and degenerates,” he says. “I wear where I’m from with pride, wherever I walk. I live for the people I lost, and the dreams that they once had. It has left me with many mental scars, but I choose to put the pain into my work, instead of into something not so desirable.” Hood says that building this exhibition has helped him put a lot of demons to rest.

© Johnny Brixton
© Johnny Brixton

Hood, who’s also known by his artist moniker, ‘Johnny Brixton’, has been variously involved in the Melbourne creative arts scene since 2011 as a photographer, filmmaker, and poet, but through his role as a youth worker and lecturer has come into contact with those needing respite most from mental health issues. He hopes that Comfort in Chaos will encourage others in similar situations to gain the confidence to share their own experiences through art. “It’s so important to have an outlet for your thoughts, to express yourself and sometimes leave your innermost thoughts in a safe way - and art is a great way to do that,” he says. “To now share that with people is scary, but liberating.”

© Johnny Brixton
© Johnny Brixton

Upcoming Events Submit an Event

February

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

March

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

Coffs Harbour: 28 May – 29 June 2026. West Of Somewhere East is a photographic series tracing a cinematic journey through the interior of New South Wales, shaped by long drives, fleeting encounters, and the reflective rhythm of return.

June

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Melbourne: 6 June – 28 June 2-26. We Built a House Out of Water is a deeply personal body of work that draws on memory, family, and culture – while understanding healing as an ongoing process.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.