Capturing the Home Front by Dorothea Lange

A new exhibition now open at the Australian National Maritime Museum reveals some of iconic moments of World War II as captured by renowned photographer, Dorothea Lange.

Capturing the Home Front is open now until 16 February 2020, and features work by Lange, on loan from the Museum of Contemporary Photography in Chicago, and photographs by Toyo Miyatake, a Japanese American internee and professional photographer from Los Angeles who smuggled a lens into Manzanar (one of ten American concentration camps, where more than 120,000 Japanese Americans were incarcerated during World War II from December 1942 to 1945) and built a camera to capture camp life.

© Dorothea Lange
© Dorothea Lange

Considered an icon of documentary photography, Dorothea Lange established her reputation as a documentarian when she was commissioned by the American government to capture and reveal the devastation wrought on Americans by The Great Depression.

© Dorothea Lange
© Dorothea Lange

During World War II, Lange was commissioned by the US Office of War Information to photograph America’s factories, shipyards, and farms as the nation went to war. Her unvarnished depictions of the forced internment of Japanese Americans from coastal California to inland camps in 1942 were considered too realistic and raw for public consumption, and Ansel Adams was commissioned to document the desolate camp at Manzanar in a better light.

© Dorothea Lange
© Dorothea Lange

Complementing the American content are reproductions from Australian collections of the evocative work of Sam Hood, William Cranstone, Jim Fitzpatrick, and Hedley Cullen who documented wartime industry, Japanese internment, family and country life on our side of the Pacific.

© Dorothea Lange
© Dorothea Lange
 

Upcoming Events Submit an Event

November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.