Capturing the Home Front by Dorothea Lange

A new exhibition now open at the Australian National Maritime Museum reveals some of iconic moments of World War II as captured by renowned photographer, Dorothea Lange.

Capturing the Home Front is open now until 16 February 2020, and features work by Lange, on loan from the Museum of Contemporary Photography in Chicago, and photographs by Toyo Miyatake, a Japanese American internee and professional photographer from Los Angeles who smuggled a lens into Manzanar (one of ten American concentration camps, where more than 120,000 Japanese Americans were incarcerated during World War II from December 1942 to 1945) and built a camera to capture camp life.

© Dorothea Lange
© Dorothea Lange

Considered an icon of documentary photography, Dorothea Lange established her reputation as a documentarian when she was commissioned by the American government to capture and reveal the devastation wrought on Americans by The Great Depression.

© Dorothea Lange
© Dorothea Lange

During World War II, Lange was commissioned by the US Office of War Information to photograph America’s factories, shipyards, and farms as the nation went to war. Her unvarnished depictions of the forced internment of Japanese Americans from coastal California to inland camps in 1942 were considered too realistic and raw for public consumption, and Ansel Adams was commissioned to document the desolate camp at Manzanar in a better light.

© Dorothea Lange
© Dorothea Lange

Complementing the American content are reproductions from Australian collections of the evocative work of Sam Hood, William Cranstone, Jim Fitzpatrick, and Hedley Cullen who documented wartime industry, Japanese internment, family and country life on our side of the Pacific.

© Dorothea Lange
© Dorothea Lange
 

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May

Sydney: Until 16 August 2026. PIX, Australia’s first pictorial news weekly, is brought to life in this exhibition, showcasing its archived images and stories for the very first time.

Melbourne: Until March 2027. Rehearsing the City presents archival photographs from Victoria’s government collections, alongside new work by contemporary street photographers.

June

Melbourne: 5 March – 7 August 2026. Between the mid-1970s and early 1990s, artist and social documentary photographer Viva Gibb (1945-2017) documented the suburbs of North and West Melbourne, where she lived.

Sydney: Until 7 Feb 2027. From his archive of more than 200,000 images, Close Up celebrates the historic moments and pivotal people he famously captured.

Canberra: Until 6 Sept 2026. Trent Parke’s photographic series The Christmas tree bucket 2006–09 is a tender and darkly humorous portrayal of his extended family coming together to celebrate Christmas.

Sydney: June 6 – 19 July 2026. The World Press Photo Exhibition 2026 is returning to the State Library of New South Wales from 6 June to 19 July, offering Sydney audiences an uncompromising view of of the unending challenges that humans, and our planet face.

Melbourne: 6 June – 20 August 2026. Brook Andrew is an artist whose conceptual practice shifts across photography, performance, moving image, installation, public space and research, often through deep collaboration with artists, communities and friends.

Brisbane: until 18 October 2026. Known affectionately as the ‘Cool Cat of journalism’ Wayne moved effortlessly among the greats, between the media and community, treating every encounter as part of his day’s work behind the lens.

Melbourne: 26 June – 2 August. Through analogue photographic processes, Dylan Negri aims to immortalised fragments of life that would otherwise disintegrate.

July

Sydney: Until 2 August. As the first survey exhibition of Tamara Dean’s career, this collection highlights the evolution of a major voice in Australian photomedia.