Allusion & Illusion: the fantastical world of Valerie Sparks

Allusion & Illusion: the fantastical world of Valerie Sparks is the first in a series of annual exhibitions that profiles and explores the work of William and Winifred Bowness Photography Prize alumni.

© Valerie Sparks.
© Valerie Sparks. "Prospero's Island – North East", 2016 from the series, "Prospero's Island". Pigment ink-jet print, 140x220cm. Monash Gallery of Art, City of Monash Collection. Acquired 2017. Courtesy of the artist.

Valerie Sparks is a Melbourne-based artist who creates large-scale printed works and immersive installation environments. In 2016, Sparks won the Bowness Photography Prize for Prospero's Island – North East from the series Prospero's Island (2016). Sparks had been a finalist four times previously, but it was for this work that the judges awarded her the coveted prize. Her practice continues to interrogate the digital limits of photography, incorporating photomedia into large scale immersive commissions for public galleries and domestic interiors. Through her reinterpretation of French scenic wallpapers Sparks’ practice effortlessly merges art and design, creating engaging, impossibly perfect, immersive and beautiful environments for people to experience.

Valerie Sparks and the exhibition

Valerie Sparks has become known for sensuous and stunningly beautiful large scale works that entice the viewer with perfectly impossible landscapes. Each image is meticulously constructed using photographs she has taken of different landscapes populated with animals from museum collections.

MGA will exhibit Prospero's Island – North East with work that showcases the breadth of her practice starting with the Le Vol series. The Le Vol series was inspired by the 19th century French scenic wallpaper Le Bresil by Desfosse´ and resulted in large scale prints and luscious wallpaper installations. For the exhibition, Sparks has created an immersive large-scale wallpaper installation work based on the Le Vol series.

Sparks’ practice has always incorporated technology. She is currently embedded at Monash University as an Adjunct Senior Research Fellow at the Monash Immersive Visualisation Platform, New Horizons Research Centre which is providing her with access to new technologies including a 3D CAVE facility and the expertise of engineers and scientists from a variety of fields. The exhibition will showcase her recent 3D projections in which she captures points of light through cutting edge technology.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.