Sony has introduced the FX2 (model ILME-FX2), the latest addition to its Cinema Line of digital cameras.
The camera is aimed at independent filmmakers, content creators, and small production teams, offering advanced features typically found in high-end cinema gear – without the bulk or cost of a full-size cinema camera.
According to Jun Yoon, Head of Digital Imaging at Sony Australia and New Zealand, the FX2 continues the Cinema Line’s focus on supporting various production styles while maintaining image quality. “The FX2 was created based on user feedback and is engineered with features to support filmmaking,” he said.
The FX2, with its more compact box-style body that's well-suited for rigging with a cage, ultimately competes with the more traditionally SLR-shaped Sony A7S III, which retails for just under $4,000.
Although the A7S III is technically a hybrid camera, its full-frame 12MP sensor – with large photosites that excel in low-light conditions – is widely regarded as a video-centric tool. In contrast, the FX2 features a 33MP sensor, giving it much stronger credentials for stills photography.
While the FX2 is currently priced higher ($5,299 RRP) than the A7S III, if it follows the typical camera launch trend – starting high to attract early adopters, then dropping in price by up to 15% within the first year – the two may end up being similarly priced.
The other camera it competes with is the older, slightly more expensive FX3 that also sports a 12MP camera.
Highlighted Features:
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33MP back-illuminated CMOS sensor for high-resolution imaging
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Full-width 7K oversampling delivers crisp 4K video at up to 30p
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4K recording at up to 60p available in cropped APS-C mode
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Intelligent autofocus with AI-powered subject tracking and smart video framing
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Dedicated stills/video mode selector with mechanical shutter for traditional shooting control
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3.68-million-dot electronic viewfinder with a tilting design for flexible composition
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Dual card slots: 1x CFexpress Type A/SD combo and 1x standard SD for versatile storage options
The FX2 is equipped with a 33.0-megapixel back-illuminated Exmor R full-frame sensor and supports up to 15+ stops of dynamic range when using S-Log3. It includes Dual Base ISO (800 and 4000) and offers an expanded ISO range up to 102400 for shooting in challenging lighting conditions.
Video formats include 4:2:2 10-bit All-Intra and XAVC S-I DCI 4K at 24p, along with slow-motion support—up to 60fps in 4K and 120fps in Full HD. An internal fan enables up to 13 hours of 4K 60p recording.
The camera supports Cine EI, Cine EI Quick, and Flexible ISO shooting modes, and users can load up to 16 custom LUTs for previewing footage on-camera.
Design and Usability
The FX2 uses the same body design as Sony’s FX3 and FX30, with a flat top, multiple 1/4-20 mounting points, and compatibility with common accessories. It weighs approximately 679 grams and is designed for handheld or rigged use.
An optional XLR-H1 top handle adds professional audio input options.
The camera includes Real-time Recognition AF with subject detection for people, animals, vehicles, and more. It also offers tools like focus breathing compensation and adjustable autofocus transition speed. Active and Dynamic Active stabilisation modes are available for handheld shooting.
Stills and Interface
Though it’s primarily a video camera, the FX2 can shoot 33MP stills and offers a dedicated log mode for photos. Switching between video and photo modes is straightforward with a physical lever and function button shortcut.
For connectivity, the FX2 supports HDMI Type-A output (4K 60p 10-bit 4:2:2 and 16-bit RAW), dual-band Wi-Fi, wired LAN via adapter, and USB-C with 10Gbps transfer and Power Delivery.
Streaming and remote production options are built in, catering to a growing number of live or hybrid workflows.
The FX2 should appeal to filmmakers, doco shooters, and hybrid creators who need a reliable, flexible tool that slots easily into existing setups, offering pro-level features without the size and complexity of larger cinema systems.