3065 by Image Chasers (group exhibition)

Fresh from its Queen Victoria Market exhibition in March at the Brunswick Gallery, Melbourne’s Image Chasers Group now turns its sights to Melbourne’s first suburb, Fitzroy. From the late 1800s, ‘The Sticks’, as it was known then, was a poor and dangerous place. Home to the ‘Larrikins’, political radicals, and a red light sanctuary for the world’s oldest profession, it has taken more than a century to shake off its rough Victorian edges.

© Mike Reed.
© Mike Reed.

Today, a gentrified Fitzroy is home to the ‘hand made’ and the ‘self made’ as an older generation hangs on and watches new businesses transform the area bringing back to life its historic shops and warehouses with a creative buzz.

But in spite of Fitzroy’s new up-market status, a socially conscious face still keeps this area in check. Since the 1960s, the Atherton Gardens Estate housing commission flats have dominated the horizon, reminding us that a social divide still pervades the landscape, but also informing us through a bold sense of community that we can all live, work and play together.

© Tony Bajirnow.
© Tony Bajirnow.

This group exhibition explores through photography its people, environment, and how the present is still very much built upon the legacy of the past.

© Ian Kuchel.
© Ian Kuchel.
© Mark Lourensz.
© Mark Lourensz.
© Graeme Ingrouille.
© Graeme Ingrouille.
© Jonathan Tversky.
© Jonathan Tversky.
© Sally Coggle.
© Sally Coggle.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.