The light fades but the gods remain by Bill Henson

© Bill Henson. Untitled 107, from the series, Untitled-1985-86. Pigment ink-jet print 106.0 x 87.7 cm.
Monash Gallery of Art, City of Monash Collection, courtesy of the artist,
Tolarno Galleries (Melbourne) and Roslyn Oxley9 Gallery (Sydney).
© Bill Henson. Untitled 107, from the series, Untitled-1985-86. Pigment ink-jet print 106.0 x 87.7 cm.
Monash Gallery of Art, City of Monash Collection, courtesy of the artist,
Tolarno Galleries (Melbourne) and Roslyn Oxley9 Gallery (Sydney).

The light fades but the gods remain is a major exhibition showcasing two key series by Bill Henson, one of Australia's most eminent artists, exploring the suburb of Glen Waverley where he grew up. In celebration of MGA's 25th anniversary, Bill Henson was commissioned to revisit the suburb of his childhood and to produce a new body of work that reflects upon his earlier series, Untitled 1985-86, known by many as 'the suburban series'.

The commissioned works will enter the MGA collection, complementing the holdings of 12 works from the 1985–86 series.

© Bill Henson. Untitled 11, from the series, Untitled 2018-19.
© Bill Henson. Untitled 11, from the series, Untitled 2018-19.

The exhibition will be accompanied by a comprehensive publication, The light fades but the gods remain, co-published with Thames & Hudson Australia. Hardback and clothbound with a jacket featuring one of Bill Henson’s iconic photographs – plus a premium edition presented in a signed slipcase – this publication is more work of art than exhibition catalogue. $99 (jacketed hardback) / $150 (premium edition in signed slipcase).

© Bill Henson. Untitled 145, from the series, Untitled-1985-86. Pigment ink-jet print 106.0 x 87.7 cm. Monash Gallery of Art, City of Monash Collection, courtesy of the artist, Tolarno Galleries (Melbourne) and Roslyn Oxley9 Gallery (Sydney).
© Bill Henson. Untitled 145, from the series, Untitled-1985-86. Pigment ink-jet print 106.0 x 87.7 cm.
Monash Gallery of Art, City of Monash Collection, courtesy of the artist,
Tolarno Galleries (Melbourne) and Roslyn Oxley9 Gallery (Sydney).

About Bill Henson

After hischildhood in Glen Waverley and studying at Prahran College, Bill Henson had his first solo exhibition at the National Gallery of Victoria in 1975 at the age of 19. He has since exhibited extensively in Australia and overseas, including New York, London, Paris, Beijing, Tokyo, Montreal, Barcelona, Vienna, and Amsterdam. In 1995, Henson represented Australia at the Venice Biennale, with his celebrated series of cut-screen photographs.

In 2003, Henson’s work appeared in Strangers: the first ICP triennial of photography and video at the International Center of Photography in New York. In the same year, he had a solo exhibition at the Centro de Fotografia, University of Salamanca, Spain. In 2005, a comprehensive survey of his work was held at the Art Gallery of New South Wales in Sydney and the National Gallery of Victoria in Melbourne. This landmark survey show, titled Mnemosyne attracted record visitor numbers for a contemporary art exhibition in Australia and was accompanied by the substantial and important publication by the same name. In 2006, Henson exhibited a major body of work in Twilight: photography in the magic hour at the Victoria and Albert Museum, London. He holds an honorary doctorate from the University of NSW.

© Bill Henson. Untitled 9, from the series, Untitled 2018-19.
© Bill Henson. Untitled 9, from the series, Untitled 2018-19.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.