Sunscreen Celebrities by Rex Dupain

Over the last twenty years, photographer Rex Dupain has witnessed Bondi Beach’s popularity grow as a must-see tourist destination and location for reality television. It is a site where people, in all their diversity, are liberated from the pressures of work and social norms. Framed by the beach’s fine sands, Dupain’s portraits of families, lovers, icebergers, and life savers resonate within the Australian psyche.

© Rex Dupain
© Rex Dupain

In the exhibition Sunscreen Celebrities, Dupain is a global traveller uncovering the beach subcultures of Coney Island, Barcelona and Sorrento. Despite the changes in geographical backgrounds – pebbles, coarse sand, or concrete – his depictions of people’s innate attraction to the water’s edge remains consistent. Vitality is not limited to Dupain’s mastering of light and colour, but is also evident in the self-awareness of his beachside idols. Whether it is a slight hand gesture, a languid pose, or a torso flexed in motion, each subject is responding to the elements – sun, water, air, and earth – on their skin.

© Rex Dupain
© Rex Dupain

With the miniaturisation of digital camera technology and proliferation of social media into our everyday, the photographic image has become ubiquitous. Celebrity culture, online and in the media, promotes the idea of self-reflexivity and anyone with a mobile phone has the potential to be paparazzi. Dupain says this has offered his practice unexpected freedom: “Not so long ago, candid photography was deemed unlawful. ‘Free range’ photographers, like myself, were restricted to photographing people under consensual agreements. So, the unrehearsed images that bought magic to gallery walls vanished. This hysteria has now cooled off thanks to the influx of the selfie generation. According to my experiences, the public have wilfully encouraged me back onto the sand.”

© Rex Dupain
© Rex Dupain

This exhibition is presented by the Australian Centre for Photography in partnership with the Waverley Council, with support from Michael Reid Sydney.

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November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.