Photogenic Drawing by Justine Varga

This exhibition, Justine Varga's inaugural solo exhibition, is punctuated by a large-scale installation that immerse the visitor in photography’s own peculiar means of production. The process of making photographs is laid bare through a dense layering of test strips, pieces of a photograph judged to be necessary, but incomplete, as the artist states “to be not quite photographs because they are nothing but photographs (because they signify nothing but themselves).”

Installation view, Memoire, Hugo Michell Gallery, Adelaide, September 2016. Photo: Steph Fuller. Courtesy of the artist and Hugo Michell Gallery, Adelaide. © Justine Varga.
Installation view, Memoire, Hugo Michell Gallery, Adelaide, September 2016. Photo: Steph Fuller. Courtesy of the artist and Hugo Michell Gallery, Adelaide. © Justine Varga.

This installation is an extension of Varga’s work in the studio and the lab. These are the places where photographs are produced, but also tested, transformed, rejected, reprinted, found wanting, and destroyed. It’s a place where the ruined photograph is a commonplace, where the ruin comes first, where a photograph is ruined many times before it is declared whole and ready for public exposure. This exhibition contains a reminder of things usually suppressed in an exhibition of photographs—the political economy that makes any such exhibition possible, but also the processes of trial and error that take place in private (sometimes even in the dark, blindly): the labour of taking and making and the shreds of photographs that evidence this labour.

Compressions of time, place and space, Varga’s test strips are also the culmination of the many years she has spent honing the craft of cameraless photography. Here she uses these strips as elements in a drawing practice, hence the title of this exhibition. Layered over an otherwise blank surface, she turns that surface into a textured sculptural experience, inviting the viewer to join her in an interrogation of the photographic process. She asks us to look at, rather than just through, the photograph. Varga immerses us in photography’s ruination, suggesting that this is also its origins, that there is always a scribbling in place even before the first mark is made, on a piece of film or anywhere else. The artist implies “a ruin, is a necessary corollary to all acts of representation”.

Justine Varga: Photogenic Drawing
Justine Varga: Photogenic Drawing

Opening event details
Thursday, 14 September 2017, 6pm to 8pm.

Exhibition details

10am to 6pm, Tuesday to Saturday.

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