Indochine by Samantha Everton

Acclaimed photographer, Samantha Everton presents Indochine – a dynamic new exhibition series which explores the intersection of Western influences and Eastern traditions. Indochine depicts a woman navigating the conflicting cultural pressures of the East and the West. Exuding visual luxury and vivid sensuality, the artworks plunge the viewer into a colour-saturated dreamscape. The series explores the encroachment of Western fashion within Asian cultures and the struggle for authenticity amidst contemporary influences.

© Samantha Everton. "Chinoiserie", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Chinoiserie", Pigment ink on cotton rag, 2018.

Behind the amplified colouration and ornamental intricacies are symbolic elements that offer clues to the underlying stories. Everton's talent is to reveal what lies hidden, and in the portraits can be found fragility and adaptability, vulnerability and resilience, compliance and resolute self-expression. The women captured are torn between the cultural values and expectations of their times and a deep interior struggling towards individuality.

Informed by the artist’s multi-cultural upbringing, with three adopted Asian siblings, Indochine explores identity and how Western influences have intersected with Eastern traditions and values. It also touches on the methods available to women to express a changing cultural identity by altering their appearance. While such shifts are sometimes presumed to be a relatively new phenomenon, the artworks explore how this blending of Eastern and Western cultures has been happening perceptibly for centuries.

© Samantha Everton. "Femme Fatale", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Femme Fatale", Pigment ink on cotton rag, 2018.

About Samantha Everton

Born in Whyalla, South Australia, and raised in central Queensland Samantha Everton credits her unusual childhood as instrumental in fostering a creative mind. Growing up with a biological brother and three adopted Asian siblings, Everton spent hours fossicking for gemstones under the wide blue skies of remote mining towns. Hers was a colour-saturated world. Although not directly referencing her own family experience, multicultural themes and notions of identity continue to influence much of her imagery.

© Samantha Everton. "Giong Chim", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Giong Chim", Pigment ink on cotton rag, 2018.

Everton graduated with a Photographic Design Degree, RMIT 2003 and subsequently achieved success in a great number of prestigious awards including Px3 Paris International Photography Awards (2010, 2014), Moran Contemporary Art Prize (Highly Commended 2009), London International Creative Competition (2010), the Photography Master Cup International Colour Awards (2013) and the Head On Photo Awards (2015).

Everton has exhibited widely, with more than twenty solo exhibitions to her name, across Australia and internationally.

© Samantha Everton. "Dulcinea", Pigment ink on cotton rag, 2018.
© Samantha Everton. "Dulcinea", Pigment ink on cotton rag, 2018.

Upcoming Events Submit an Event

November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.