Heavenly Fighters by Joseph McGlennon

In Jospeh McGlennon’s Heavenly Fighters, a new moon rises over a landscape of myth. A rampant, noble fighting cock, almost bejewelled in his finery of feathers stands with a fixed gazed towards the viewer. Bred for religious blood sport, temple-fighting cocks possess aggression towards all males of the same species. They are born to kill. Their death purifies.

Heavenly Fighters #4, 2017
Giclée digital print on Archival Hahnemuhle Fine Art Paper
120 x 120 cm
edition of 8 + 2AP
$3,800 unframed
$5,000 framed
Heavenly Fighters #4, 2017. ©  Jospeh McGlennon.
Giclée digital print on Archival Hahnemuhle Fine Art Paper 120 x 120 cm
edition of 8 + 2AP $3,800 unframed $5,000 framed

In much of McGlennon’s practice there is a pervading notion of death – this new body of work is the most overt depiction. The flash of a tethered blade to each rooster’s foot is a strong reminder of the fate of each proud specimen. Rich with complex symbolism and the tension of beauty, death and morality, each of the eight works in this series is a studied exercise in composition and lighting.

Long outlawed in the western world, cockfighting is still a common spectacle in Africa, the Middle East, the Americas and in Asia. Joseph McGlennon’s encounters with the cockfights have occurred in Bali. Over the last decade, repeated journeys have developed a fascination, not with the sport as such, but with the Heavenly Fighters who feature at its bloody heart.

Cockfighting is a millennia old blood sport. Under the guise of religious ceremony, prized fighting cocks, with their plumage resplendent, battle to a bloody victory or demise. Artistic fascination with blood sport is well documented. Goya, Hemingway, Manet, Picasso have all been drawn to the spectacle of death.

Cockfighting is ancient tradition in Balinese Hinduism. According to the Batur Bang Inscriptions (933 on the Balinese Caka calendar) and the Batuan Inscription (944), the tabuh rah ritual had by the Tenth Century CE, already existed for centuries. In Bali cockfights, known as tajen are practiced as a religious purification ritual to expel evil spirits. The performance of tajen, within temples grounds, is a form of animal sacrifices called tabuh rah (pouring blood). The purpose of tabuh rah is to provide an offering (the blood of the losing cock) to the evil spirits. Cockfighting is a religious obligation at every Balinese temple festival.

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Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

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Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

Sydney: Photographers Harold David, Lyndal Irons, Ladstreet, Selina Ou, David Porter, Greg Semu, and Craig Walsh exhibit a diverse and varied snapshot of Penrith and western Sydney as it has changed and grown over the last sixty years.

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

Sydney: The images in Bill Henson’s cinematic new body of work, The Liquid Night, derive from work the highly acclaimed artist shot on 35mm colour negative film in New York City in 1989.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.