3000 Streets by Mike Reed

Mike Reed’s exhibition, 3000 Streets, traces his near and far wanderings in the world’s arteries with odd servings along the way – some meatier bites than others, but always with a leaning towards the unusual and quirky. 

© Mike Reed. Arrested, 2013. Fuji Lustre C-Type, 50 x 42 cm.
© Mike Reed. Arrested, 2013. Fuji Lustre C-Type, 50 x 42 cm.

Ever observant in this vast playhouse of life, Reed seeks to capture a unique, unrepeatable moment in time, a slice of reality with an honest, un-staged, comical side at “f8 at 1/125 “.

In these times of adversity, including wars, pandemics, and the accompanying stress, Reed believes that humour, in whatever form it takes, is a welcome diversion and relief.

© Mike Reed. Concrete sunbather.
© Mike Reed. Concrete sunbather.

Recently Reed's work was selected by the editor of Life Framers in their 'Street Life' theme, commenting on the 'humorous visual narrative that he conjures through sharp timing and a clean composition'.

© Mike Reed. Mindless.
© Mike Reed. Mindless.

In 35 years as a film editor, Reed observed, selected, evaluated, spotted the good takes of wild or planned action rolling through at 25 frames a second. He learned to compute and react very quickly “to see”. So, when not chasing deadlines, Reed was out capturing the quirky world around him in grain and pixel during the short infrequent breaks in the torrent of brain-numbing schedules. Now off the time line, photography is number one priority for expression and creativity, ever seeking the comedy or odd twist and from “outside the square”.

See more of Mike Reed's work on Instagram.

© Mike Reed. Heavy/light sleeping.
© Mike Reed. Heavy and light sleeping.
© Mike Reed. Radiation.
© Mike Reed. Radiation.
© Mike Reed. Boxer.
© Mike Reed. Boxer.
© Mike Reed. Running man.
© Mike Reed. Running man.

Upcoming Events Submit an Event

November

Sydney: The exhibition delves into the State Library of NSW's vast collection of two million images, showcasing 400 photos – many displayed for the first time.

February

Melbourne: Jill Orr’s The Promised Land Refigured is an exhibition that reworks the original project created in 2012 with new insights that have emerged in the past eleven years.

March

Melbourne: Environmental Futures features five artists whose work addresses how the natural world is affected by climate change and encompasses photography, sculpture and installation both within the gallery spaces and around the museum grounds.

Ballarat: Nan Goldin is an American artist whose work explores subcultures, moments of intimacy, the impacts of the HIV/AIDS and opioid epidemics on her communities, and photography as a tool for social activism.

Sydney: The Ocean Photographer of the Year Award, run by London based Oceanographic Magazine is in its 4th year and has quickly achieved recognition amongst photographers around the world.

Albury: The National Photography Prize offers a $30,000 acquisitive prize, the $5000 John and Margaret Baker Fellowship for an emerging practitioner, and further supports a number of artists through focused acquisitions.

April

The City Surveyor’s ‘Condemnation and Demolition Books’ is a key photographic collection held in the City Archives comprising almost 5000 photographs and associated glass plate negatives.

May

Ballarat: Art Gallery of Ballarat presents Lost in Palm Springs, a multidisciplinary exhibition that brings together fourteen creative minds who respond to, capture, or re-imagine the magical qualities of the landscape and the celebrated mid-century modern architecture of Palm Springs, California and across Australia.